Date: 1759

"This happy composure, this perfect and complete harmony of soul, constituted that virtue which in their language is expressed by a word which we commonly translate temperance, but which might more properly be translated good temper, or sobriety and moderation of mind."

— Smith, Adam (1723-1790)

Date: 1759

"The spectator, therefore, must find it much more difficult to sympathize entirely, and keep perfect time, with his sorrow, than thoroughly to enter into his joy, and must depart much further from his own natural and ordinary temper of mind in the one case than in the other."

— Smith, Adam (1723-1790)

Date: 1759

"The great pleasure of conversation, and indeed of society, arises from a certain correspondence of sentiments and opinions, from a certain harmony of minds, which like so many musical instruments coincide and keep time with one another."

— Smith, Adam (1723-1790)

Date: 1759

"The man who indulges us in this natural passion, who invites us into his heart, who, as it were, sets open the gates of his breast to us, seems to exercise a species of hospitality more delightful than any other."

— Smith, Adam (1723-1790)

Date: 1759, performed 1776

The soul may be "Snatch'd by the power of music from her cell / Of fleshly thraldom" and feel "herself upborn / On plumes of ecstasy"

— Mason, William (1725-1797)

Date: 1759

"Bring him into society, and he is immediately provided with the mirror which he wanted before. It is placed in the countenance and behaviour of those he lives with, which always mark when they enter into, and when they disapprove of his sentiments; and it is here that he first views the propriet...

— Smith, Adam (1723-1790)

Date: 1759

"The man who eludes our most innocent questions, who gives no satisfaction to our most inoffensive inquiries, who plainly wraps himself up in impenetrable obscurity, seems, as it were, to build a wall about his breast."

— Smith, Adam (1723-1790)

Date: 1759

"How amiable does he appear to be, whose sympathetic heart seems to re-echo all the sentiments of those with whom he converses, who grieves for their calamities, who re|sents their injuries, and who rejoices at their good fortune!"

— Smith, Adam (1723-1790)

Date: 1759

"But he can only hope to obtain this by lowering his passion to that pitch, in which the spectators are capable of going along with him. He must flatten, if I may be allowed to say so, the sharpness of its natural tone, in order to reduce it to harmony and concord with the emotions of those who a...

— Smith, Adam (1723-1790)

Date: 1759

"When music imitates the modulations of grief or joy, it either actually inspires us with those passions, or at least puts us in the mood which disposes us to conceive them. But when it imitates the notes of anger, it inspires us with fear. Joy, grief, love, admiration, devotion, are all of them ...

— Smith, Adam (1723-1790)