Smith, Adam (1723-1790)

The Theory of Moral Sentiments

London and Edinburgh

Printed for A. Millar, A. Kincaid, and J. Bell

1759

"But he can only hope to obtain this by lowering his passion to that pitch, in which the spectators are capable of going along with him. He must flatten, if I may be allowed to say so, the sharpness of its natural tone, in order to reduce it to harmony and concord with the emotions of those who are about him."

After all this, however, the emotions of the spectator will still be very apt to fall short of the violence of what is felt by the sufferer. Mankind, though naturally sympathetic, never conceive, for what has befallen another, that degree of passion which naturally animates the person principally concerned. That imaginary change of situation, upon which their sympathy is founded, is but momentary. The thought of their own safety, the thought that they themselves are not really the sufferers, continually intrudes itself upon them; and though it does not hinder them from conceiving a passion somewhat analogous to what is felt by the sufferer, hinders them from conceiving any thing that approaches to the same degree of violence. The person concerned is sensible of this, and, at the same time, passionately desires a more compleat sympathy. He longs for that relief which nothing can afford him but the entire concord of the affections of the spectators with his own. To see the emotions of their hearts, in every respect, beat time to his own, in the violent and disagreeable passions, constitutes his sole consolation. But he can only hope to obtain this by lowering his passion to that pitch, in which the spectators are capable of going along with him. He must flatten, if I may be allowed to say so, the sharpness of its natural tone, in order to reduce it to harmony and concord with the emotions of those who are about him. What they feel, will, indeed, always be, in some respects, different from what he feels, and compassion can never be exactly the same with original sorrow; because the secret consciousness that the change of situations, from which the sympathetic sentiment arises, is but imaginary, not only lowers it in degree, but, in some measure, varies it in kind, and gives it a quite different modification. These two sentiments, however, may, it is evident, have such a correspondence with one another, as is sufficient for the harmony of society. Though they will never be unisons, they may be concords, and this is all that is wanted or required.
(pp. 36-8; cf. pp. 21-2 in Liberty Fund ed.)

Music::Pitch and Tone Music::Harmony

Reading

10 entries in the ESTC (1759, 1761, 1764, 1767, 1774, 1777, 1781, 1790, 1792, 1793, 1797). A revised title with a complicated textual history.

See The Theory of Moral Sentiments: By Adam Smith (London: Printed for A. Millar; and A. Kincaid and J. Bell, in Edinburgh, 1759). <Link to ESTC><Link to ECCO-TCP>

Reading Adam Smith, The Theory of Moral Sentiments, ed. D.D. Raphael and A.L. Macfie (Indianapolis: Liberty Fund, 1984).

06/17/2014