Date: 1741

"For one obscure or confused Idea, especially if it be of great Importance in the Question, intermingled with many clear ones, and placed in its Variety of Aspects towards them, will be in Danger of spreading Confusion over the whole Scene of Ideas, and thus may have an unhappy Influence to overw...

— Watts, Isaac (1674-1748)

Date: 1741

"This will gradually give the Mind a Faculty of surveying many objects at once; as a Room that is richly adorned and hung round with a great Variety of Pictures, strikes the Eye almost at once with all that Variety, especially if they have been well surveyed one by one at first: This makes it hab...

— Watts, Isaac (1674-1748)

Date: 1744, 1772, 1795

"These flattering scenes / To this neglected labour court my song; / Yet not unconscious what a doubtful task / To paint the finest features of the mind, / And to most subtile and mysterious things / Give colour, strength, and motion."

— Akenside, Mark (1720-1771)

Date: 1744, 1772, 1795

"Let the scene / Paint in thy fancy the primæval seat / Of man."

— Akenside, Mark (1720-1771)

Date: 1744, 1772, 1795

"For as old Memnon's image, long renown'd / By fabling Nilus, to the quivering touch / Of Titan's ray, with each repulsive string / Consenting, sounded through the warbling air / Unbidden strains; even so did nature's hand / To certain species of external things, / Attune the finer organs of the ...

— Akenside, Mark (1720-1771)

Date: 1744, 1772, 1795

"O wherefore, with a rash impetuous aim, / Seek ye those flowery joys with which the hand / Of lavish fancy paints each flattering scene / Where beauty seems to dwell, nor once inquire / Where is the sanction of eternal truth, / Or where the seal of undeceitful good, / To save your search from fo...

— Akenside, Mark (1720-1771)

Date: 1790

"She lamented that Mr. Seymour's character, which appeared open, liberal, and elevated, should so ill bear a close inspection; and that his mind resembled one of those pictures which must be viewed by the dim light of a taper; since their coarse and glaring colours, which attract the eye in the d...

— Williams, Helen Maria (1759-1827)

Date: 1790

"Suspicion is like a mist, which renders the object it shades so uncertain, that the figure must be finished by imagination; and, when distrust takes the pencil, the strokes are generally so dark, that the disappointed heart sickens at the picture."

— Williams, Helen Maria (1759-1827)