"These flattering scenes / To this neglected labour court my song; / Yet not unconscious what a doubtful task / To paint the finest features of the mind, / And to most subtile and mysterious things / Give colour, strength, and motion."

— Akenside, Mark (1720-1771)


Place of Publication
London
Date
1744, 1772, 1795
Metaphor
"These flattering scenes / To this neglected labour court my song; / Yet not unconscious what a doubtful task / To paint the finest features of the mind, / And to most subtile and mysterious things / Give colour, strength, and motion."
Metaphor in Context
Oft have the laws of each poetic strain
The critic-verse imploy'd; yet still unsung
Lay this prime subject, though importing most
A poet's name: for fruitless is the attempt,
By dull obedience and by creeping toil
Obscure to conquer the severe ascent
Of high Parnassus. Nature's kindling breath
Must fire the chosen genius; nature's hand
Must string his nerves, and imp his eagle-wings
Impatient of the painful steep, to soar
High as the summit; there to breathe at large
Æthereal air: with bards and sages old,
Immortal sons of praise. These flattering scenes
To this neglected labour court my song;
Yet not unconscious what a doubtful task
To paint the finest features of the mind,
And to most subtile and mysterious things
Give colour, strength, and motion
. But the love
Of nature and the muses bids explore,
Through secret paths erewhile untrod by man,
The fair poetic region, to detect
Untasted springs, to drink inspiring draughts,
And shade my temples with unfading flowers
Cull'd from the laureate vale's profound recess,
Where never poet gain'd a wreath before.
Provenance
HDIS (Poetry)
Citation
Over 33 entries in the ESTC (1744, 1748, 1754, 1758, 1759, 1763, 1765, 1767, 1768, 1769, 1771, 1775, 1777, 1780, 1786, 1788, 1794, 1795, 1796). At least five editions in 1744.

Text from Mark Akenside, The Poems Of Mark Akenside (London: W. Bowyer and J. Nichols, 1772). <Link to LION>

Compare the poem as first published: Mark Akenside, The Pleasures of Imagination: A Poem. In Three Books. (London: Printed for R. Dodsley 1744). <Link to ESTC> <Link to ECCO-TCP> <Link to Google Books>

Also reading The Pleasures of Imagination (Otley, England: Woodstock Books, 2000), which reprints The Pleasures of Imagination. By Mark Akenside, M.D. to Which Is Prefixed a Critical Essay on the Poem, by Mrs. Barbauld. (London: Printed for T. Cadell, jun. and W. Davies, (successors to Mr. Cadell), 1795). <Link to ESTC>
Date of Entry
09/14/2009
Date of Review
01/05/2004

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.