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Date: 1759

"But he can only hope to obtain this by lowering his passion to that pitch, in which the spectators are capable of going along with him. He must flatten, if I may be allowed to say so, the sharpness of its natural tone, in order to reduce it to harmony and concord with the emotions of those who a...

— Smith, Adam (1723-1790)

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Date: 1759

"When music imitates the modulations of grief or joy, it either actually inspires us with those passions, or at least puts us in the mood which disposes us to conceive them. But when it imitates the notes of anger, it inspires us with fear. Joy, grief, love, admiration, devotion, are all of them ...

— Smith, Adam (1723-1790)

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Date: 1759

"Our heart, as it adopts and beats time to his grief, so is it likewise animated with that spirit by which he endeavours to drive away or destroy the cause of it."

— Smith, Adam (1723-1790)

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Date: 1759

"To see the emotions of their hearts, in every respect, beat time to his own, in the violent and disagreeable passions, constitutes his sole consolation."

— Smith, Adam (1723-1790)

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Date: 1759

"Our heart must adopt the principles of the agent, and go along with all the affections which influenced his conduct, before it can intirely sympathize with, and beat time to, the gratitude of the person who has been benefited by his actions."

— Smith, Adam (1723-1790)

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Date: 1760-1761, 1762

"It must, it must surely be, that this jarring discordant life is but the prelude to some future harmony; the soul attuned to virtue here, shall go from hence to fill up the universal choir where Tien presides in person, where there shall be no tyrants to frown, no shackles to bind, nor no whips ...

— Goldsmith, Oliver (1728?-1774)

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Date: 1763 (repr. 1776); 1794 (repr. 1799)

"The power which the mind evidently has of moving the various parts of the body by nerves inserted in the muscles is truly wonderful, seeing the mind neither knows the muscles to be moved, nor the machinery, by which the motion in it is to be produced: so that it is as if a musician should always...

— Doddridge, Philip (1702-1751)

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Date: 1775

"[T]here may be a farther difference in the constitution of the nerves belonging to the different senses, or there may be so many circumstances that affect or modify their vibrations, that they may be as distinguishable from one another, as different human voices sounding the same note; and proba...

— Priestley, Joseph (1733-1804)

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Date: 1776

"If you really then think that, every process, termed mental, in man, is in fact nothing more than so many distinct nervous vibrations, then I readily grant that matter may think, for undoubtedly every stretched cord, when touched, will vibrate; and I will farther grant, that a fiddle, in that se...

— Berington, Joseph (1743-1827)

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Date: 1777

"For the mind is an instrument, which, if wound too high, will lose its sweetness, and if not enough strained, will abate of its vigour."

— More, Hannah (1745-1833)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.