Date: 1792
"The lively heated imagination likewise, to apply the comparison, draws the picture of love, as it draws every other picture, with those glowing colours, which the daring hand will steal from the rainbow, that is directed by a mind, condemned in a world like this, to prove its noble origin by pan...
preview | full record— Wollstonecraft, Mary (1759-1797)
Date: 1792
"The understanding, it is true, may keep us from going out of drawing when we group our thoughts, or transcribe from the imagination and warm sketches of fancy; but the animal spirits, the individual character, give the colouring."
preview | full record— Wollstonecraft, Mary (1759-1797)
Date: 1792
"When we trust to the picture, that objects draw of themselves on the mind, we deceive ourselves. Without accurate, and particular observation, it is but ill-drawn at first: the outlines are soon blurred: the colours, every day grow fainter; and at last, when we would produce it to any body, we a...
preview | full record— Gilpin, William (1724-1804)
Date: 1794
"If our recollection or imagination be not a repetition of animal movements, I ask, in my turn, What is it? You tell me it consists of images or pictures of things. Where is this extensive canvas hung up? or where are the numerous receptacles in which those are deposited? or to what else in the a...
preview | full record— Darwin, Erasmus (1731-1802)
Date: 1817
"In our perceptions we seem to ourselves merely passive to an external power, whether as a mirror reflecting the landscape, or as a blank canvas on which some unknown hand paints it."
preview | full record— Coleridge, Samuel Taylor (1772-1834)
Date: 1817
"The wise Stagyrite speaks of no successive particles propagating motion like billiard balls (as Hobbs;) nor of nervous or animal spirits, where inanimate and irrational solids are thawed down, and distilled, or filtrated by ascension, into living and intelligent fluids, that etch and re-etch eng...
preview | full record— Coleridge, Samuel Taylor (1772-1834)