"In our perceptions we seem to ourselves merely passive to an external power, whether as a mirror reflecting the landscape, or as a blank canvas on which some unknown hand paints it."

— Coleridge, Samuel Taylor (1772-1834)


Place of Publication
London
Publisher
Rest Fenner
Date
1817
Metaphor
"In our perceptions we seem to ourselves merely passive to an external power, whether as a mirror reflecting the landscape, or as a blank canvas on which some unknown hand paints it."
Metaphor in Context
There have been men in all ages, who have been impelled as by an instinct to propose their own nature as a problem, and who devote their attempts to its solution. The first step was to construct a table of distinctions, which they seem to have formed on the principle of the absence or presence of the WILL. Our various sensations, perceptions, and movements were classed as active or passive, or as media partaking of both. A still finer distinction was soon established between the voluntary and the spontaneous. In our perceptions we seem to ourselves merely passive to an external power, whether as a mirror reflecting the landscape, or as a blank canvas on which some unknown hand paints it. For it is worthy of notice, that the latter, or the system of idealism may be traced to sources equally remote with the former, or materialism; and Berkeley can boast an ancestry at least as venerable as Gassendi or Hobbs. These conjectures, however, concerning the mode in which our perceptions originated, could not alter the natural difference of things and thoughts. In the former, the cause appeared wholly external, while in the latter, sometimes our will interfered as the producing or determining cause, and sometimes our nature seemed to act by a mechanism of its own, without any conscious effort of the will, or even against it. Our inward experiences were thus arranged in three separate classes, the passive sense, or what the school-men call the merely receptive quality of the mind; the voluntary, and the spontaneous, which holds the middle place between both. But it is not in human nature to meditate on any mode of action, without enquiring after the law that governs it; and in the explanation of the spontaneous movements of our being, the metaphysician took the lead of the anatomist and natural philosopher. In Egypt, Palestine, Greece, and India the analysis of the mind had reached its noon and manhood, while experimental research was still in its dawn and infancy. For many, very many centuries, it has been difficult to advance a new truth, or even a new error, in the philosophy of the intellect or morals. With regard, however, to the laws that direct the spontaneous movements of thought and the principle of their intellectual mechanism there exists, it has been asserted, an important exception most honorable to the moderns, and in the merit of which our own country claims the largest share. Sir James Mackintosh (who amid the variety of his talents and attainments is not of less repute for the depth and accuracy of his philosophical enquiries, than for the eloquence with which he is said to render their most difficult results perspicuous, and the driest attractive) affirmed in the lectures, delivered by him at Lincoln's Inn Hall, that the law of association as established in the contemporaneity of the original impressions, formed the basis of all true psychology; and any ontological or metaphysical science not contained in such (i. e. empirical) psychology was but a web of abstractions and generalizations. Of this prolific truth, of this great fundamental law, he declared HOBBS to have been the original discoverer, while its full application to the whole intellectual system we owe to David Hartley; who stood in the same relation to Hobbs as Newton to Kepler; the law of association being that to the mind, which gravitation is to matter.
(pp. 89-92)
Provenance
Reading
Citation
Text drawn from or checked against S. T. Coleridge, Biographia Literaria. ed. James Engell and W. Jackson Bate, Bollingen Series: The Collected Works, vol. vii (Princeton UP, 1983).

See also Project Gutenberg edition <Link>.
Date of Entry
09/22/2005
Date of Review
05/27/2008

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.