Date: 1814, 1816, 1896

"Not suffering Souls in fleshly cells to lie, / Like the stall'd ox, or glutton of the stye;"

— Woodhouse, James (bap. 1735, d. 1820)

Date: 1814, 1816, 1896

"Solicit Fancy from celestial flights, / To wander o'er the World for frail delights / And crowd Imagination's rooms, immense, / With what relates alone to Time and Sense!"

— Woodhouse, James (bap. 1735, d. 1820)

Date: 1814, 1816, 1896

"Pride, panting, still, for some superior sway-- / Lust, prowling, like a savage Beast, for prey-- / Dark Passions, propagating feuds, and strife, / Lay waste, or swallow up, the sweets of Life."

— Woodhouse, James (bap. 1735, d. 1820)

Date: 1814, 1816, 1896

"When these resplendent Lights had thus display'd / The shapes and hues of all in Nature made; / The Fish were form'd, depicting Appetites, / And Fowls that soar aloft like Fancy's flights; / Beasts--useful Cattle--Insects--creeping Things-- / Which tread the soil, or soar on wavering wings-- / T...

— Woodhouse, James (bap. 1735, d. 1820)

Date: 1815

"With my own hand I'll ope the way / From its base tenement of clay; / Tir'd of its suff'rings here below, / I'll loose it from this scene of woe; / I'll prune its wings and let it fly, / To seek again its native sky."

— Combe, William (1742 -1823)

Date: 1816

"Know, lovely virgin, thy deluding art / Hath lodg'd a thousand scorpions in my breast."

— Wolcot, John, pseud. Peter Pindar, (1738-1819)

Date: May 26, 1816

"The impression slides off from the eye, and does not, like the tones of Titian's pencil, leave a sting behind it in the mind of the spectator."

— Hazlitt, William (1778-1830)

Date: 1817

"The poetic PSYCHE, in its process to full development, undergoes as many changes as its Greek name-sake, the butterfly."

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"Most of my readers will have observed a small water-insect on the surface of rivulets, which throws a cinque-spotted shadow fringed with prismatic colours on the sunny bottom of the brook; and will have noticed, how the little animal wins its way up against the stream, by alternate pulses of act...

— Coleridge, Samuel Taylor (1772-1834)

Date: August 1817

"There is no natural harmony in the ordinary combinations of significant sounds: the language of prose is not the language of music, or of passion: and it is to supply this inherent defect in the mechanism of language--to make the sound an echo to the sense, when the sense becomes a sort of echo ...

— Hazlitt, William (1778-1830)