Date: 1817

"[H]e must be possest, / Of more, Vagellius, than thy iron breast, / Who braves their anger, and with ten poor toes, / Defies such countless hosts of hobnail'd shoes."

— Gifford, William (1756-1826)

Date: 1817

"The friends thou hast, and their adoption try'd, / Grapple them to thy soul with hoops of steel;"

— Combe, William (1742 -1823)

Date: 1817

"[B]ring a mind, / Where legal and where moral sense are join'd, / With the pure essence; holy thoughts, that dwell / In the soul's most retired, and sacred cell"

— Gifford, William (1756-1826)

Date: 1817

"bring a mind, / Where legal and where moral sense are join'd, / With the pure essence; holy thoughts, that dwell / In the soul's most retired, and sacred cell"

— Gifford, William (1756-1826)

Date: 1817

"Nor should we pass the secret cell, / Where lonely Science loves to dwell, / Pleas'd, from its lamp, to cast the ray / That lights the mind's beclouded day."

— Combe, William (1742 -1823)

Date: 1817

"The fashionable journal is expected to be a mirror of public opinion in its own party, a brilliant magnifying mirror, in which the mind of the public may see itself look large and handsome."

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

Milton in his "latter days" was "poor, sick, blind, slandered, persecuted [...] yet still listening to the music of his thoughts."

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"The poetic PSYCHE, in its process to full development, undergoes as many changes as its Greek name-sake, the butterfly."

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"My friend has drawn a masterly sketch of the branches with their poetic fruitage. I wish to add the trunk, and even the roots as far as they lift themselves above the ground, and are visible to the naked eye of our common consciousness."

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"In our perceptions we seem to ourselves merely passive to an external power, whether as a mirror reflecting the landscape, or as a blank canvas on which some unknown hand paints it."

— Coleridge, Samuel Taylor (1772-1834)