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Date: 1759

"He might view his own temper and character with that sort of satisfaction with which we consider a well-contrived machine, in the one case; or with that sort of distaste and dissatisfaction with which we regard a very awkward and clumsy contrivance, in the other."

— Smith, Adam (1723-1790)

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Date: 1759

"This happy composure, this perfect and complete harmony of soul, constituted that virtue which in their language is expressed by a word which we commonly translate temperance, but which might more properly be translated good temper, or sobriety and moderation of mind."

— Smith, Adam (1723-1790)

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Date: 1759

"The spectator, therefore, must find it much more difficult to sympathize entirely, and keep perfect time, with his sorrow, than thoroughly to enter into his joy, and must depart much further from his own natural and ordinary temper of mind in the one case than in the other."

— Smith, Adam (1723-1790)

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Date: 1759

"The great pleasure of conversation, and indeed of society, arises from a certain correspondence of sentiments and opinions, from a certain harmony of minds, which like so many musical instruments coincide and keep time with one another."

— Smith, Adam (1723-1790)

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Date: 1759

"The man who indulges us in this natural passion, who invites us into his heart, who, as it were, sets open the gates of his breast to us, seems to exercise a species of hospitality more delightful than any other."

— Smith, Adam (1723-1790)

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Date: 1759, performed 1776

The soul may be "Snatch'd by the power of music from her cell / Of fleshly thraldom" and feel "herself upborn / On plumes of ecstasy"

— Mason, William (1725-1797)

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Date: 1759

"Bring him into society, and he is immediately provided with the mirror which he wanted before. It is placed in the countenance and behaviour of those he lives with, which always mark when they enter into, and when they disapprove of his sentiments; and it is here that he first views the propriet...

— Smith, Adam (1723-1790)

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Date: 1759

"That a Man may be scarce less ignorant of his own powers, than an Oyster of its pearl, or a Rock of its diamond; that he may possess dormant, unsuspected abilities, till awakened by loud calls, or stung up by striking emergencies, is evident from the sudden eruption of some men, out of perfec...

— Young, Edward (bap. 1683, d. 1765)

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Date: 1759

"A Stranger, and a Foreigner to her Bosom (Self-applause) was joyfully welcomed home, and embraced"

— Fielding, Sarah (1710-1768)

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Date: 1759

"[A]nd her Mind, at that time, might be likened to a Theatre, on which the Tragedy of a glittering Cross, and a Pair of Diamond Ear-rings, was acting, with much more Propriety than the envious Critic called Othello The Tragedy of the Handkerchief."

— Fielding, Sarah (1710-1768)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.