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Date: 1698

"But when Vice is varnish'd over with Pleasure, and comes in the Shape of Convenience, the case grows somewhat dangerous; for then the Fancy may be gain'd, and the Guards corrupted, and Reason suborn'd against it self."

— Collier, Jeremy (1650-1726)

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Date: 1698

"No body can be pleas'd without Sensible Impressions. Nor can such Perceptions be received without a Train of Passions attending them."

— Collier, Jeremy (1650-1726)

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Date: 1698

"A well work'd Poem is a powerful piece of Imposture: It masters the Fancy, and hurries it no Body knows whither.--If therefore we would be govern'd by Reason let us stand off from the Temptation, such Pleasures can have no good Meaning."

— Collier, Jeremy (1650-1726)

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Date: 1698

"This sort of Musick warms the Passions, and unlocks the Fancy, and makes it open to Pleasure like a Flower to the Sun."

— Collier, Jeremy (1650-1726)

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Date: 1698

"Now why should it be in the power of a few mercenary Hands to play People out of their Senses, to run away with their Understandings, and wind their Passions about their Fingers as they list?"

— Collier, Jeremy (1650-1726)

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Date: 1698

"People love to see their Passions painted no less than their Persons: And like Narcissus are apt to dote on their own Image."

— Collier, Jeremy (1650-1726)

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Date: 1698

"Love has generally a Party Within; And when the Wax is prepared, the Impression is easily made."

— Collier, Jeremy (1650-1726)

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Date: 1698

"The Passions are up in Arms, and there's a mighty Contest between Duty, and Inclination. The Mind is over-run with Amusements, and commonly good for nothing sometime after."

— Collier, Jeremy (1650-1726)

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Date: 1698

"The Seat of Sense is the Brain, whose Nervous Dispensations are the Intermediate Bodies between it and the Organs, on which the External Objects act."

— Cowper [Cooper], William (1666/7-1710)

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Date: 1698

"When the Impression is made by the Object, and receiv'd into the Organ of Sense, it is convey'd from thence with the same Type or Character, by an Agitation of its Nervous Expansions and their continued Trunks, to the common Sensory."

— Cowper [Cooper], William (1666/7-1710)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.