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Date: 1693

"Condemn'd in this dark Prison must I here, / Watch till the Trumpet strike mine Ear? / Must I ne'er know thy Goodness and thy Love, / Because I did transgress thy Will above? / Must Clouds and Vapours still obscure my Mind?"

— Hawkshaw, Benjamin (1671/2-1738)

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Date: 1693

"Some Glances of a State that's past I find, / Take up the Corners of my thoughtful Mind, / As cover'd Embers when they're blown, create / A Flame, and represent my former State."

— Hawkshaw, Benjamin (1671/2-1738)

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Date: 1693

"Musick alone inflames my drooping Mind; / Nay, she would mount her Wings, and fly away, / Not be confin'd to this dull Lump of Clay, / Did not the Charms of Musick most divine / Unite, and things so wide, so close combine."

— Hawkshaw, Benjamin (1671/2-1738)

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Date: 1693

"When I did first this charming object view, / Her Image in my Mind took Root & grew."

— Hawkshaw, Benjamin (1671/2-1738)

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Date: 1693

"From her blest Heart there flows a Line, / Which Nature made, and grapples mine. / Secret as that which tyes the Mind, / When to the Body 'tis confin'd"

— Hawkshaw, Benjamin (1671/2-1738)

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Date: 1693

"Would she but cast such quickning Beams on me, / I should her living Image be; / Look when she pleas'd, her Picture she would find / Deeply imprinted in my Mind."

— Hawkshaw, Benjamin (1671/2-1738)

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Date: 1693

"But thou, my Dear, hast found the only Art, / At once to Conquer and Enjoy my Heart"

— Ames, Richard (bap. 1664?, d. 1692)

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Date: 1693

"New-minted Mischeifs rumble in his brain, / Each false Stamp'd Coin is melted down again, / 'Till refin'd Fancy fix'd on Woman."

— Ames, Richard (bap. 1664?, d. 1692)

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Date: 1694, 1708

"The artful spring, like the diffusive soul, / Informs the machine, and directs the whole"

— Yalden, Thomas (1670-1736)

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Date: 1694, 1708

"At length, with more prevailing rage possest, / Her jealous honour steels her daring breast / The thoughts of injur'd fame new courage gave, / And nicer virtue now confirms her brave."

— Yalden, Thomas (1670-1736)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.