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Date: 1778, 1779

"Your impatience to fly to a place which your imagination has painted to you in colours so attractive, surprizes me not; I have only to hope that the liveliness of your fancy may not deceive you: to refuse, would be to raise it still higher."

— Burney [married name D'Arblay], Frances (1752-1840)

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Date: 1778, 1779

"but it was not time, it was not the knowledge of his worth, obtained your regard; your new comrade had not patience to wait any trial; her glowing pencil, dipt in the vivid colours of her creative ideas, painted to you, at the moment of your first acquaintance, all the excellencies, all the good...

— Burney [married name D'Arblay], Frances (1752-1840)

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Date: 1780, 1781, 1788

"Two passions there by soft contention please, / The love of martial Fame, and learned Ease: / These friendly colours, exquisitely join'd, / Form the enchanting picture of thy mind."

— Hayley, William (1745-1820)

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Date: 1781

"Which, like a skilful artist, goes to work upon the materials furnished by the senses; comparing selecting, analysing, and abstracting; till by placing them in different points of view their fitness, relations, and dependencies are seen."

— Rotheram, John (1725–1789)

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Date: 1781

"But the difference is much greater between the ideas of sense, the materials upon which the mind first begins its work, and the truths produced by its operations, than between the rough marble, and the statue formed by the skill of PHIDIAS."

— Rotheram, John (1725–1789)

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Date: 1781

"Let matter then be allowed to furnish the first materials; the enlightened mind, which by its operations upon these discovers truth, and pursues it through all its distant connections, must have powers as far superiour to that which gave the first impression, as PHIDIAS is superiour to the marble."

— Rotheram, John (1725–1789)

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Date: 1781, 1810

"Triumphant love, with still superior art, / Engraves their wonders on the Painter's heart."

— Seward, Anna (1742-1809)

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Date: 1782

"A letter is the soul's portrait. It is not a cold image, with its stagnation, so remote from love; it lends itself to all our emotions; turn by turn it grows animated, it enjoys, it rests"

— Laclos, Pierre (-Ambrose-François) Choderlos de (1741-1803)

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Date: 1782

"In following her extraordinary director, her imagination had painted to her a scene such as she had so lately quitted, and prepared her to behold some family in distress, some helpless creature in sickness, or some children in want."

— Burney [married name D'Arblay], Frances (1752-1840)

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Date: 1782

"[A]cquainted ere you meet that you were to meet him no more, your heart would be all softness and grief, and at the very moment when tenderness should be banished from your intercourse, it would bear down all opposition of judgment, spirit, and dignity: you would hang upon every word, because ev...

— Burney [married name D'Arblay], Frances (1752-1840)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.