Date: 1794

"As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story."

— Radcliffe [née Ward], Ann (1764-1823)

Date: 1796

"By Locke, true WIT is best defin'd, / Her pleasant pictures lure the mind; / Associations sudden rise, / And seize the fancy by surprise."

— Courtenay, John Lees (1775?-1794)

Date: 1796

"At the same time the cloud disappeared, and he beheld a figure more beautiful than fancy's pencil ever drew."

— Lewis, Matthew Gregory (1775-1818)

Date: w. 1766, 1797

"The future whole infix upon thy mind; / Be there each line in truth ideal drawn"

— Mason, William (1725-1797)

Date: 1797

"Schedoni's hood was now thrown back, so that he could not compare even the air of their heads under similar circumstances; but as he remembered to have seen the confessor on a former day approaching his mother's closet with the cowl shading his face, the same gloomy severity seemed to characteri...

— Radcliffe [née Ward], Ann (1764-1823)

Date: 1797

"Of the walls that enclosed her, he scarcely ever lost sight; the view of them seemed to cherish his hopes, and, while he gazed upon their rugged surface, Ellena alone was pictured on his fancy; till his anxiety to learn her disposition towards him arose to agony, and he would abruptly leave the ...

— Radcliffe [née Ward], Ann (1764-1823)

Date: 1797

"Over the gloom of Schedoni, no scenery had, at any moment, power; the shape and paint of external imagery gave neither impression or colour to his fancy."

— Radcliffe [née Ward], Ann (1764-1823)

Date: 1797

"The plan, which he had mentioned, seemed to her long-harassed mind to exile her for ever from happiness, and all that was dear to her affections; it appeared like a second banishment to San Stefano, and every abbess, except that of La Pietà, came to her imagination in the portraiture of an inexo...

— Radcliffe [née Ward], Ann (1764-1823)

Date: 1797

"As, at length, she drew near Naples, her emotions became more various and powerful; and when she distinguished the top of Vesuvius peering over every intervening summit, she wept as her imagination charactered all the well-known country it overlooked."

— Radcliffe [née Ward], Ann (1764-1823)

Date: 1797

"The Marchesa reclined on a sofa before an open lattice; her eyes were fixed upon the prospect without, but her attention was wholly occupied by the visions that evil passions painted to her imagination."

— Radcliffe [née Ward], Ann (1764-1823)