page 8 of 21     per page:
sorted by:

Date: April 30, 1730

"I have often been concerned at the ill success of my worthy friend the CANTABRIGIAN PHILOSOPHER; who happening to jar the string in the harmony of human understanding, among those, who were below his own height; they, instead of subscribing to his doctrine, were for tying him fast, and sending h...

— Richard Russel and John Martyn

preview | full record

Date: 1730

"Nor absent are those tuneful shades, I ween, / Taught by the Graces, whose inchanting touch / Shakes every passion from the various string; / Not those, who solemnize the moral scene."

— Thomson, James (1700-1748)

preview | full record

Date: 1731

"That the Intelligent Principle, or Soul, resides in the brain, where all the Nerves, or Instruments of Sensation, terminate, like a Musician in a finely fram'd and well-tun'd Organ Case; that these Nerves are like Keys, which, being struck on or touch'd, convey the Sound and Harmon...

— Cheyne, George (1671-1743)

preview | full record

Date: 1731

"Feeling is nothing but the Impulse, Motion, or Action of Bodies, gently or violently impressing the Extremities or Sides of the Nerves, of the Skin of other parts of the Body, which by their Structure and Mechanism, convey this Motion to the Sentient Principle in the Brain, or the Musician."

— Cheyne, George (1671-1743)

preview | full record

Date: 1732

"The Force of Modulated Sound, .... tunes the Heart at ev'ry Turn"

— Mitchell, Joseph (c. 1684-1738)

preview | full record

Date: 1733

"OR, in a more gross Similitude, the Intelligent Principle is like a Bell in a Steeple, to which there are an infinite Number of Hammers all around it, with Ropes of all Lengths, terminating or touching at every Point of the Surface of the Trunk or Case, one of whose Extremities being pull'd or t...

— Cheyne, George (1671-1743)

preview | full record

Date: 1733

"I have formerly suggested, that the best Similitude I can form of the Nature and Actions of this Principle upon the Organs of its Machin, is that of a skillful Musician playing on a well-tun'd Instrument."

— Cheyne, George (1671-1743)

preview | full record

Date: 1735, 1763

"In fair proportion here describ'd we trace / Each mental beauty, and each moral grace; / Each useful passion taught, its tone design'd / In the nice concord of a well-tun'd mind."

— Melmoth, William, the younger (bap. 1710, d. 1799)

preview | full record

Date: 1734-1735

"Hark! she invites from city smoke and noise, / Vapours impure, and from impurer joys; / From various evils, that, with rage combin'd, / Untune the body, and pollute the mind."

— Savage, Richard (1697/8-1743)

preview | full record

Date: 1736

"To these he added many other consolatory Expressions; and a handsome Repast being served in, entertain'd her all the time with such Discourses as entirely brought her back to those Principles from which the Delusions of Ochihatou had made her swerve; and, at the same time, establish'd so perfect...

— Haywood [née Fowler], Eliza (1693?-1756)

preview | full record

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.