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Date: 1725

"From that she pass'd to a Description of the Happiness of mutual Affection; -- the unspeakable Extasy of those who meet with equal Ardency; and represented it in Colours so lively, and disclos'd by the Gestures with which her Words were accompany'd, and the Accent of her Voice so true a Feeling ...

— Haywood [née Fowler], Eliza (1693?-1756)

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Date: 1726, 1753

"As fire, by nature, climbs direct, and bright, / And beams, in spotless rays, a shining light; / But if some gross obstruction stops its way, / Smokes in low curls, and scents the sullied day: / So love, itself, untainted, and refin'd, / Borrows a tincture, from the colour'd mind."

— Hill, Aaron (1685-1750)

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Date: 1726, 1753

"Excited, thus, the smother'd fire, at length, / Bursts into blaze, and burns, with open strength: / That image, which, before, but sooth'd the mind, / Now lords it there, and rages, unconfined"

— Hill, Aaron (1685-1750)

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Date: 1726, 1753

"But I have err'd; and, with delirious aim, / Would picture motion, and imprison flame. / He, who can light'ning's flash, to colours, bind, / May paint love's influence, on the burning mind."

— Hill, Aaron (1685-1750)

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Date: 1789, 1797

"Each motive base it [the soul] nobly spurns, / And bright with purest passion burns."

— Berkeley, George Monck (1763-1793)

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Date: 1801

The mind's fires may be doubled

— Cowper, William (1731-1800)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.