Date: 1691

"The Peasant and the Crowned Head, / The same dark Path must tread, / And in the same cold Earth both undistinguisht lie; / (Whilest the sad Soul her Voyage takes / Through gloomy Fens, and Stygian Lakes, / Unable to procure a longer stay, / Into Eternal Exile sails away.)"

— Dunton, John (1659–1732)

Date: 1691

"Sometimes he describ'd the Humors of the Greenwich Usurers, who, as he exprest it, had Hearts of Marble and Entrals of Brass."

— Dunton, John (1659–1732)

Date: 1691

"Let none hereafter dare to blame / The Gods, for making Cupid blind / Lest his offence he plagu'd with shame / And all Mens hate, besiege his mind."

— Dunton, John (1659–1732)

Date: 1691

"I made answer thus; Because she was made of Adam's Flesh when he was asleep; secondly, she was made of his Rib, the Rib lies near to the Heart, the Heart is Master of Thoughts, and Thoughts beget Words."

— Dunton, John (1659–1732)

Date: 1691

"This made my Heart dance the Canaries in my Breast without the help of a Violin."

— Dunton, John (1659–1732)

Date: 1691

"So that here by a dear-bought Experience, I found, that the wandering Fancy of Man (nay, that even Life it self) is a it were but a meer Ramble or Fegary after the drag of something that doth itchifie our Senses, which when we have hunted home, we find nothing but a meer delusion."

— Dunton, John (1659–1732)

Date: 1692

"I tell you, Madam, Love in my Breast is with greater difficulty remov'd, than Foreign Aids out of the distressed Kingdom they are call'd in to assist; Love has subdued me all, and I am entirely a Slave."

— Gildon, Charles (1665-1724)

Date: 1692

"For these rude Pangs of Jealousie, are much more certain signs / Of Love, than all the tender Words an amorous Fancy coins."

— Walsh, William (bap. 1662, d. 1708)

Date: 1692

"Abandon'd to a callousness and numness of soul"

— Bentley, Richard (1662-1742)

Date: Licens'd Decemb. 22. 1691

"And with reverence be it spoken, and the Parallel kept at due distance, there is something of equality in the Proportion which they bear in reference to one another, with that between Comedy and Tragedy; but the Drama is the long extracted from Romance and History: 'tis the Midwife to Industry, ...

— Congreve, William (1670-1729)