Date: 1709, 1714

"For this is the Effect, and this the Beauty of their Art; 'in vocal Measures of Syllables, and Sounds, to express the Harmony and Numbers of an inward kind; and represent the Beautys of a human Soul, by proper Foils, and Contrarietys, which serve as Graces in this Limning, and render this Musick...

— Cooper, Anthony Ashley, third earl of Shaftesbury (1671-1713)

Date: From Tuesd. Aug. 9. to Thursday Aug. 11. 1709

"We must take our Minds a Note or two lower, or we shall be tortur'd by Jealousy or Anger."

— Addison, Joseph (1672-1719)

Date: From Tuesd. Sept. 13. to Thursd. Sept. 15. 1709

"The Strings of the Heart, which are to be touched to give us Compassion, are not so played on but by the finest Hand."

— Steele, Sir Richard (1672-1729)

Date: 1710, 1714

"For the understanding here must have its mark, its characteristic note, by which it may be distinguished."

— Cooper, Anthony Ashley, third earl of Shaftesbury (1671-1713)

Date: 1710, 1714

"The Moral Artist, who can thus imitate the Creator, and is thus knowing in the inward Form and Structure of his Fellow-Creature, will hardly, I presume, be found unknowing in Himself, or at a loss in those Numbers which make the Harmony of a Mind."

— Cooper, Anthony Ashley, third earl of Shaftesbury (1671-1713)

Date: 1759

"This happy composure, this perfect and complete harmony of soul, constituted that virtue which in their language is expressed by a word which we commonly translate temperance, but which might more properly be translated good temper, or sobriety and moderation of mind."

— Smith, Adam (1723-1790)

Date: 1759

"The spectator, therefore, must find it much more difficult to sympathize entirely, and keep perfect time, with his sorrow, than thoroughly to enter into his joy, and must depart much further from his own natural and ordinary temper of mind in the one case than in the other."

— Smith, Adam (1723-1790)

Date: 1759

"The great pleasure of conversation, and indeed of society, arises from a certain correspondence of sentiments and opinions, from a certain harmony of minds, which like so many musical instruments coincide and keep time with one another."

— Smith, Adam (1723-1790)

Date: 1759

"But he can only hope to obtain this by lowering his passion to that pitch, in which the spectators are capable of going along with him. He must flatten, if I may be allowed to say so, the sharpness of its natural tone, in order to reduce it to harmony and concord with the emotions of those who a...

— Smith, Adam (1723-1790)

Date: 1759

"When music imitates the modulations of grief or joy, it either actually inspires us with those passions, or at least puts us in the mood which disposes us to conceive them. But when it imitates the notes of anger, it inspires us with fear. Joy, grief, love, admiration, devotion, are all of them ...

— Smith, Adam (1723-1790)