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Date: 1734, 1735

"Their dire Effects the Wretched feel: / Thy Waters turn the Heart to Steel."

— Barber, Mary (c.1685-1755)

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Date: 1734, 1735

"The Mind, in peaceful Solitude, has Room / To range in Thought, and ramble far from home."

— Barber, Mary (c.1685-1755)

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Date: [1731?] 1734

"Yet we have Reason, to supply / What nature did to man deny: / Weak viceroy! Who thy power will own, / When Custom has usurped thy throne?"

— Barber, Mary (c.1685-1755)

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Date: 1735

"But the whole Scene of this Voyage made so strong an Impression on my Mind, and is so deeply fixed in my Memory, that in committing it to Paper, I did not omit one material Circumstance"

— Swift, Jonathan (1667-1745)

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Date: 1735

"He seemed therefore confident, that instead of Reason, we were only possessed of some Quality fitted to increase our natural Vices; as the Reflection from a troubled Stream returns the Image of an ill-shapen Body, not only larger, but more distorted."

— Swift, Jonathan (1667-1745)

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Date: 1735

"Imagination, Fancy, and Invention, they are wholly Strangers to, nor have any Words in their Language by which those Ideas can be expressed; the whole Compass of their Thoughts and Mind, being shut up within the two forementioned Sciences"

— Swift, Jonathan (1667-1745)

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Date: 1735, 1792

"Just so supreme, unmated, and alone, / The Soul assumes her intellectual throne"

— Brooke, Henry (c. 1703-1783)

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Date: 1735, 1792

"Around their queen attendant spirits watch, / Each rising thought with prompt observance catch, / The tidings of internal passion spread, / And thro' each part the swift contagion shed"

— Brooke, Henry (c. 1703-1783)

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Date: 1735, 1792

"The blood tempestuous, pours a flushing wave" and "With raging swell alternate pantings rise"

— Brooke, Henry (c. 1703-1783)

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Date: 1735, 1792

The mind "speeds her ministry abroad, / And rules obedient matter with a nod" as "The obsequious mass beneath her influence yields, /And even her will the unwieldy fabric wields"

— Brooke, Henry (c. 1703-1783)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.