Date: 1686

"My Guts are grumbling a kind of Tune, Like the Base Pipes of an Organ: I am starv'd into a Substance so thin, that my Body is transparent; you may see my heart, and the appurtenances, hang up here in its mortal Closet, as easily as a Candle in a Lanthorn."

— D'Urfey, Thomas (1653?-1723)

Date: 1686

"I am starv'd into a Substance so thin, that my Body is transparent; you may see my heart, and the appurtenances, hang up here in its mortal Closet, as easily as a Candle in a Lanthorn."

— D'Urfey, Thomas (1653?-1723)

Date: 1686

"Our souls are all disrob'd, all naked laid, / In thy true Mirror men themselves do see"

— Flatman, Thomas (1635-1688)

Date: 1686

"In the Recesses of a private Breast, / I thought to entertain your charming Guest, / And never to have boasted of my Feast."

— Flatman, Thomas (1635-1688)

Date: 1686

"Grief, Sorrow, each unwelcom Guest, / Take Lodgings in his anxious Breast:"

— Higden, Henry (bap. 1645)

Date: 1686

"Change did I say, that word I must forbear, / No, she bright Star wont wander from her sphere / Of Virtue (in which Female Souls do move) / Nor will she joyn with an insatiate love."

— Egerton [née Fyge; other married name Field], Sarah (1670-1723)

Date: 1686

"And so dost think to fill the Abiss below / Quite full of Females, hoping there may be / No room for souls big with Vice as thee."

— Egerton [née Fyge; other married name Field], Sarah (1670-1723)

Date: 1686

"By any other hand: She's all divine, / And by a splendid lustre doth outshine / All masculine souls, who only seem to be / Made up of pride and their lov'd luxury."

— Egerton [née Fyge; other married name Field], Sarah (1670-1723)

Date: 1686

"Nor does its [sickness's] Malice in these bounds restrain, / But shakes the Throne of Sacred Wit, the Brain, / And with a ne're enough detested Force / Reason disturbs, and turns out of its Course."

— Killigrew, Anne (1660-1685)

Date: 1686, 1689, 1697

"Let us but consider a little the Receptacles of Images, the Regions of Imagination, the curious formation in all the Instruments of Sense; to which we may add the activity and subtlety of the Spirits, the delicate Contexture of the Nerves, the various Articulations of the Voice, the Harmony of F...

— Nourse, Timothy (c.1636–1699)