Date: 1817

Mackintosh, following Hobbes and Hartley, analogizes mind and matter: "the law of association being that to the mind, which gravitation is to matter. "

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"The wise Stagyrite speaks of no successive particles propagating motion like billiard balls (as Hobbs;) nor of nervous or animal spirits, where inanimate and irrational solids are thawed down, and distilled, or filtrated by ascension, into living and intelligent fluids, that etch and re-etch eng...

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"Ah! when will the yoke of Custom--Custom, the blind tyrant, of which all the other tyrants make their slave--ah! when will that misery-perpetuating yoke be shaken off?--when, when will Reason be seated on her throne?"

— Bentham, Jeremy (1748-1832)

Date: 1817

"In this idea originated the plan of the Lyrical Ballads; in which it was agreed, that my endeavours should be directed to persons and characters supernatural, or at least romantic, yet so as to transfer from our inward nature a human interest and a semblance of truth sufficient to procure...

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"Let us cross-examine Hartley's scheme under the guidance of this distinction; and we shall discover, that contemporaneity, (Leibnitz's Lex Continui) is the limit and condition of the laws of mind, itself being rather a law of matter, at least of phaenomena considered as material. At the utmost, ...

— Coleridge, Samuel Taylor (1772-1834)

Date: 1817

"Most of my readers will have observed a small water-insect on the surface of rivulets, which throws a cinque-spotted shadow fringed with prismatic colours on the sunny bottom of the brook; and will have noticed, how the little animal wins its way up against the stream, by alternate pulses of act...

— Coleridge, Samuel Taylor (1772-1834)

Date: August 1817

"Poetry is the music of language, expressing the music of the mind."

— Hazlitt, William (1778-1830)

Date: August 1817

"Whenever any object takes such a hold on the mind as to make us dwell upon it, and brood over it, melting the heart in love, or kindling it to a sentiment of admiration;--whenever a movement of imagination or passion is impressed on the mind, by which it seeks to prolong and repeat the emotion, ...

— Hazlitt, William (1778-1830)

Date: August 1817

"The musical in sound is the sustained and continuous; the musical in thought and feeling is the sustained and continuous also."

— Hazlitt, William (1778-1830)

Date: August 1817

"There is no natural harmony in the ordinary combinations of significant sounds: the language of prose is not the language of music, or of passion: and it is to supply this inherent defect in the mechanism of language--to make the sound an echo to the sense, when the sense becomes a sort of echo ...

— Hazlitt, William (1778-1830)