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Date: 1741

"This will gradually give the Mind a Faculty of surveying many objects at once; as a Room that is richly adorned and hung round with a great Variety of Pictures, strikes the Eye almost at once with all that Variety, especially if they have been well surveyed one by one at first: This makes it hab...

— Watts, Isaac (1674-1748)

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Date: 1744

"I will endeavour in the following Dissection of our Puppet Heroe, to convince my dear Country Men and Country Women, that they are madly following an Ignis fatuus, or Will of the Whisp, which they take for real substantial Light, and which I ...

— Garrick, David (1717-1779)

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Date: 1744

"[T]he charming image of a city's brightest ornament" may be engraven on the heart by "the god of love ... in characters too indelible ever to be erased"

— Haywood [née Fowler], Eliza (1693?-1756)

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Date: 1744

"A mere existence or being is an indifferent thing, ('tis a Rasa Tabula) that may be coloured over with sin or holiness: and accordingly it receives its value from these; as a picture is esteemed not from the materials upon which it is drawn, but from the draught itself."

— South, Robert (1634-1716)

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Date: 1744

"Nor dreadful our transition; though the mind, / An artist at creating self-alarms, / Rich in expedients for inquietude, / Is prone to paint it dreadful."

— Young, Edward (bap. 1683, d. 1765)

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Date: 1744

"Death, and his image rising in the brain, / Bear faint resemblance; never are alike: / Fear shakes the pencil; Fancy loves excess; / Dark Ignorance is lavish of her shades: And these the formidable picture draw."

— Young, Edward (bap. 1683, d. 1765)

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Date: 1744

"Our senses, as our reason, are Divine. / But for the magic organ's powerful charm, / Earth were a rude, uncolour'd chaos still. / Objects are but the' occasion: ours the' exploit; / Ours is the cloth, the pencil, and the paint, / Which Nature's admirable picture draws, / And beautifies Creation'...

— Young, Edward (bap. 1683, d. 1765)

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Date: 1744, 1772, 1795

"These flattering scenes / To this neglected labour court my song; / Yet not unconscious what a doubtful task / To paint the finest features of the mind, / And to most subtile and mysterious things / Give colour, strength, and motion."

— Akenside, Mark (1720-1771)

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Date: 1744, 1772, 1795

"Let the scene / Paint in thy fancy the primæval seat / Of man."

— Akenside, Mark (1720-1771)

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Date: 1744, 1772, 1795

"For as old Memnon's image, long renown'd / By fabling Nilus, to the quivering touch / Of Titan's ray, with each repulsive string / Consenting, sounded through the warbling air / Unbidden strains; even so did nature's hand / To certain species of external things, / Attune the finer organs of the ...

— Akenside, Mark (1720-1771)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.