Date: 1711

"For to return to our Statue in the Block of Marble, we see it sometimes only begun to be chipped, sometimes rough-hewn and but just sketched into an human Figure, sometimes we see the Man appearing distinctly in all his Limbs and Features, sometimes we find the Figure wrought up to a great Elega...

— Addison, Joseph (1672-1719)

Date: Monday, June 23, 1712

"Thus if there arises a Fragrancy of Smells or Perfumes, they heighten the Pleasures of the Imagination, and make even the Colours and Verdure of the Landskip appear more agreeable; for the Ideas of both Senses recommend each other, and are pleasanter together than when they enter the Mind separa...

— Addison, Joseph (1672-1719)

Date: Friday, June 27, 1712

"The Reader finds a Scene drawn in stronger Colours, and painted more to the Life in his Imagination, by the help of Words, than by an actual Survey of the Scene which they describe."

— Addison, Joseph (1672-1719)

Date: Friday, June 27, 1712

"The Reason, probably, may be, because in the Survey of any Object we have only so much of it painted on the Imagination, as comes in at the Eye; but in its Description, the Poet gives us as free a View of it as he pleases, and discovers to us several Parts, that either we did not attend to, or t...

— Addison, Joseph (1672-1719)

Date: 1712

"When Man with Reason dignify'd is born, / No Images his naked Mind adorn: / No Sciences or Arts enrich his Brain, / Nor Fancy yet displays her pictur'd Train."

— Blackmore, Sir Richard (1654-1729)

Date: 1712

"She [the mind] draws ten thousand Landschapes in the Brain, / Dresses of airy Forms an endless Train, / Which all her Intellectual Scenes prepare, / Enter by turns the Stage, and disappear."

— Blackmore, Sir Richard (1654-1729)

Date: Saturday, June 21, 1712

"The Colours paint themselves on the Fancy, with very little Attention of Thought or Application of Mind in the Beholder."

— Addison, Joseph (1672-1719)

Date: 1715-1720

"The Soul, in which the Mind was lodg'd, was suppos'd exactly to resemble the Body in Shape, Magnitude, and Features; for this being in the Body as the Statue in its Mold, so soon as it goes forth is properly the Image of that Body in which it was enclos'd."

— Pope, Alexander (1688-1744)

Date: 1718, 1747

"A piece of sculpture admirably wrought is put out to view, but, to preserve it against the injuries of the weather, or for some other reason, is varnished over. Every body extols the artist, and is pleased with his work; and yet no one sees that which was the immediate subject of his art, being ...

— Grove, Henry (1684-1738)

Date: 1719

"The Absence of an old Mistress makes room for a new one--Therefore I have blotted her from my Fancy, like a Painter that strikes one form out of his Cloth, to lay in another."

— Savage, Richard (1697/8-1743)