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Date: 1790

"Fancy drew the scene;--she deepened the shades; and the terrific aspect of the objects she presented was heighted by the obscurity which involved them."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1790

"Fancy caught the thrilling sensation, and at her touch the towering steeps became shaded with unreal glooms; the caves more darkly frowned--the projecting cliffs assumed a more terrific aspect, and the wild overhanging shrubs waved to the gale in deeper murmurs."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1790

"Imagination only can paint the anguish of Julia's mind, when she saw herself thus delivered up to the power of her enemy."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1790

"She lamented that Mr. Seymour's character, which appeared open, liberal, and elevated, should so ill bear a close inspection; and that his mind resembled one of those pictures which must be viewed by the dim light of a taper; since their coarse and glaring colours, which attract the eye in the d...

— Williams, Helen Maria (1759-1827)

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Date: 1790

"Suspicion is like a mist, which renders the object it shades so uncertain, that the figure must be finished by imagination; and, when distrust takes the pencil, the strokes are generally so dark, that the disappointed heart sickens at the picture."

— Williams, Helen Maria (1759-1827)

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Date: 1791

"Fancy paints with hues unreal,/ Smile of bliss, and sorrow's mood."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"St. Aubert smiled, and sighed at the romantic picture of felicity his fancy drew; and sighed again to think, that nature and simplicity were so little known to the world, as that their pleasures were thought romantic."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"On the distant horizon to the south, she discovered the wild summits of the Pyrenées, and her fancy immediately painted the green pastures of Gascony at their feet."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1794

"And here, other forms of beauty and of grandeur, such as her imagination had never painted, were unfolded to Emily in the palaces of Sansovino and Palladio, as she glided along the waves."

— Radcliffe [née Ward], Ann (1764-1823)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.