Date: 1690, 1694, 1695, 1700, 1706

"Just thus it is with our ideas, which are as it were the pictures of things."

— Locke, John (1632-1704)

Date: 1691

"How haps it then, Ideas stay behind, / And, when We please, can paint anew the Mind, / When what created them is fled, like Wind?"

— Heyrick, Thomas (bap. 1649. d. 1694)

Date: 1691

"What shou'd I tell you of his Soul, since his Body is the very Picture on't, and if you know one, you can't miss o' t'other among a thousand: 'Tis like Gresham-Colledge, or the Anatomy-School at Leyden, hung round with a thousand Knick-knacks that rambled thither, some of 'em half the World...

— Dunton, John (1659–1732)

Date: 1692

"Fancies and Notions he pursues, / Which ne'er had Being but in Thought: / Each, like the Grecian Artist, woo's / The Image He himself has wrought."

— Prior, Matthew (1664-1721)

Date: 1692

"[T]he Explanation whereof is allowed by all men as satisfactory, 'tis this, in Tab. 41. Fig. 2. the Image a b of the Object A B is painted on the Retina inverted, and yet the Eye (or rather the Soul by means of the Eye) sees the Object erect and in its natural Posture."

— Molyneux, William (1656-1698)

Date: 1693

"So Fancy paints, so does the Poet write, / When he wou'd work a Tempest to the height."

— Dryden, John (1631-1700) [Poem ascribed to]

Date: 1694

"Whereas the several degrees of Angels may probably have larger views, and some of them be endowed with capacities able to retain together, and constantly set before them, as in one Picture, all their past knowledge at once."

— Locke, John (1632-1704)

Date: 1694

"Self-Knowledge properly siginifies to contemplate our own Natures in their Idea, to draw our own Image and Picture as like the Original as we can, and to view our selves in it."

— Sherlock, William (1639/40-1707)

Date: 1698

"People love to see their Passions painted no less than their Persons: And like Narcissus are apt to dote on their own Image."

— Collier, Jeremy (1650-1726)

Date: 1699

"Now all these Expressions [concerning natural conscience] seem to signifie clear and distinct Representations, as Pictures or Sculptures represent their Originals."

— Burnet, Thomas (c.1635-1715)