Date: 1775

"[B]e assured I throw the original from my heart as easily!"

— Sheridan, Richard Brinsley (1751-1816)

Date: 1776-1789

"The dissolute tyranny of Commodus, the civil wars occasioned by his death, and the new maxims of policy introduced by the house of Severus, had all contributed to increase the dangerous power of the army, and to obliterate the faint image of laws and liberty that was still impressed on the minds...

— Gibbon, Edward (1737-1794)

Date: 1776

"It is his purpose in this Work, on the one hand, to exhibit, he does not say, a correct map, but a tolerable sketch of the human mind; and aided by the lights which the poet and the orator so amply furnish, to disclose its secret movements, tracing its principal channels of perception and action...

— Campbell, George (1719-1796)

Date: 1776

"It is sufficient that such things be hinted to the understanding, so that the meaning may be apprehended, it is by no means fit that they be painted in the liveliest colours to the fancy."

— Campbell, George (1719-1796)

Date: 1777

"Though I meant a description, I have scrawled through most of my paper without beginning one. I have made but some slight sketches of his mind; of his person I have said nothing, which, from a woman to a woman, should have been mentioned the soonest."

— Mackenzie, Henry (1745-1831)

Date: 1777

"Images of vengeance and destruction paint themselves to my mind, when I think of his discovering that weakness which I cannot hide from myself."

— Mackenzie, Henry (1745-1831)

Date: 1777

"If you marry a man of a certain sort, such as the romance of young minds generally paints for a husband, you will deride the supposition of any possible decrease in the ardour of your affections."

— Mackenzie, Henry (1745-1831)

Date: 1780, 1781, 1788

"Two passions there by soft contention please, / The love of martial Fame, and learned Ease: / These friendly colours, exquisitely join'd, / Form the enchanting picture of thy mind."

— Hayley, William (1745-1820)

Date: 1781

"Which, like a skilful artist, goes to work upon the materials furnished by the senses; comparing selecting, analysing, and abstracting; till by placing them in different points of view their fitness, relations, and dependencies are seen."

— Rotheram, John (1725–1789)

Date: 1781

"But the difference is much greater between the ideas of sense, the materials upon which the mind first begins its work, and the truths produced by its operations, than between the rough marble, and the statue formed by the skill of PHIDIAS."

— Rotheram, John (1725–1789)