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Date: 1744, 1772, 1795

"These flattering scenes / To this neglected labour court my song; / Yet not unconscious what a doubtful task / To paint the finest features of the mind, / And to most subtile and mysterious things / Give colour, strength, and motion."

— Akenside, Mark (1720-1771)

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Date: 1744, 1772, 1795

"Let the scene / Paint in thy fancy the primæval seat / Of man."

— Akenside, Mark (1720-1771)

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Date: 1744, 1772, 1795

"For as old Memnon's image, long renown'd / By fabling Nilus, to the quivering touch / Of Titan's ray, with each repulsive string / Consenting, sounded through the warbling air / Unbidden strains; even so did nature's hand / To certain species of external things, / Attune the finer organs of the ...

— Akenside, Mark (1720-1771)

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Date: 1744, 1772, 1795

"O wherefore, with a rash impetuous aim, / Seek ye those flowery joys with which the hand / Of lavish fancy paints each flattering scene / Where beauty seems to dwell, nor once inquire / Where is the sanction of eternal truth, / Or where the seal of undeceitful good, / To save your search from fo...

— Akenside, Mark (1720-1771)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.