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Date: 1703

"But Beauty, bewitching Beauty, has Power at any time to unlock the Closet of my Breast; your Charms are irresistibly engaging"

— Centlivre, Susanna (c.1670-1723); Moliére (1622-1673)

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Date: 1703

"Weary'd at last, curst Hymen's Aid I chose; / But find the fetter'd Soul has no Repose."

— Egerton [née Fyge; other married name Field], Sarah (1670-1723)

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Date: 1703

"Distorted Nature shakes at the Controul, / With strong Convulsions rends my strugling Soul; / Each vital String cracks with th' unequal Strife, / Departing Love racks like departing Life; / Yet there the Sorrow ceases with the Breath, / But Love each day renews th' torturing scene of Death."

— Egerton [née Fyge; other married name Field], Sarah (1670-1723)

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Date: 1706

"Not in the Court of Conscience, Sir."

— Centlivre [née Freeman; other married name Carroll], Susanna (bap. 1669?, d. 1723)

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Date: 1717

"Her Empire o'er my Soul each Moment grew; / Her Charms appear'd more numerous and new: / Fonder each Hour my tender Heart became, / And ev'ry Look fann'd and increas'd my Flame."

— Behn, Aphra (1640?-1689)

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Date: 1717

"I render back the Treasure of thy Heart: / When in some new fair Breast it finds a Room, And I shall lie neglected in my Tomb; / Remember, oh! remember, the fair She / Can never love thee, darling Youth! like me."

— Behn, Aphra (1640?-1689)

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Date: 1713, 1719

"This Fancy having once taken Root, grew apace, and branch'd it self forth into a thousand vain Conceits."

— Barker, Jane (1675-1743)

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Date: 1713, 1719

"Thus my Thoughts play'd at Racket, and seldom minded the Line of Reason"

— Barker, Jane (1675-1743)

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Date: 1713, 1719

"[M]y Mind labour'd under a perpetual shaking Palsy of Hope and Fear; my whole Interiour was nothing but Distraction and Uncertainty"

— Barker, Jane (1675-1743)

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Date: 1713, 1719

"Thus I ran Divisions in my Fancy, which made but harsh Musick to my Interiour"

— Barker, Jane (1675-1743)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.