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Date: 1810

"So it is with the memory, after continual recurrence, and pressure of the affections upon the image she presents, which, for a considerable period, she had presented with that perfect precision, to which no powers of the pencil can attain;--but, in time, the image becomes indistinct, not from an...

— Seward, Anna (1742-1809)

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Date: 1810

"Yes, it is beneath the constant glow of ardent imagination, that the impression, given by memory, has faded. Then it is that a good, nay even an indifferent picture, or a paper-profile of a dear lost friend, strengthens our recollection, in the same manner that retouching a copper-plate restores...

— Seward, Anna (1742-1809)

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Date: 1810

We desire a "penciled remembrance of those we love" in order to "refresh that ideal image which intense and perpetual contemplation had rendered evanescent"

— Seward, Anna (1742-1809)

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Date: 1810

Two cause produce the vanishing of internal images; "viz. the mind not having dwelt upon the originals of those its pictures often enough to make their image strong and vivid after long absence; --and, its too frequently casting upon such inshrined resemblances, the dazzling light of fervent med...

— Seward, Anna (1742-1809)

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Date: 1826

"[T]hen sweet Memory / May come, and with her mirror cheer thy mind, / On whose bright surface lovelier scenes shall live / Than any shrined within Italian climes."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1842

"E'en the mind's eye a glassy mirror shews, / And far too deeply her bold pencil draws"

— Blamire, Susanna (1747-1794)

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Date: 1860

"You have never seen Mr Wakem before, and are possibly wondering whether he was really as eminent a rascal and as crafty, bitter an enemy of honest humanity in general and of Mr Tulliver in particular, as he is represented to be in that eidolon or portrait of him which we have seen to exist in th...

— Eliot, George (1819-1880)

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Date: Summer, 1991

"Elinor has constructed herself in this way around an original lack: the absentation of her sister, and perhaps in the first place the withholding from herself of the love of their mother, whom she then compulsively unites with Marianne, the favorite, in the love-drenched tableaux of her imaginat...

— Sedgwick, Eve Kosofsky (1950-2009)

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Date: 1999

"But my mother told me that just the opposite was true. That the pictures in your mind were always more beautiful than what was in the world."

— Offill, Jenny (b. 1968)

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Date: 2004

"O woman, with a mind Picasso / could have painted, giving you many cheeks, / each one turned a different way."

— Sholl, Betsy

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.