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Date: 1790

"Suspicion is like a mist, which renders the object it shades so uncertain, that the figure must be finished by imagination; and, when distrust takes the pencil, the strokes are generally so dark, that the disappointed heart sickens at the picture."

— Williams, Helen Maria (1759-1827)

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Date: 1791

"Fancy paints with hues unreal,/ Smile of bliss, and sorrow's mood."

— Radcliffe [née Ward], Ann (1764-1823)

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Date: 1791, 1794

"When fancy paints to me the good old man stooping to raise the weeping penitent, while every tear from her eye is numbered by drops from his bleeding heart, my bosom glows with honest indignation, and I wish for power to extirpate those monsters of seduction from the earth."

— Rowson, Susanna (1762-1828)

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Date: 1791, 1794

"The goodness of her heart is depicted in her ingenuous countenance."

— Rowson, Susanna (1762-1828)

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Date: 1791, 1794

"Even now imagination paints the scene, when, torn by contending passions, when, struggling between love and duty, you fainted in my arms, and I lifted you into the chaise."

— Rowson, Susanna (1762-1828)

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Date: 1792

"The lively heated imagination likewise, to apply the comparison, draws the picture of love, as it draws every other picture, with those glowing colours, which the daring hand will steal from the rainbow, that is directed by a mind, condemned in a world like this, to prove its noble origin by pan...

— Wollstonecraft, Mary (1759-1797)

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Date: 1792

"The understanding, it is true, may keep us from going out of drawing when we group our thoughts, or transcribe from the imagination and warm sketches of fancy; but the animal spirits, the individual character, give the colouring."

— Wollstonecraft, Mary (1759-1797)

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Date: 1793

"[Y]et, half repentant now / Her headlong haste, she wishes she had staid / To die with those affrighted Fancy paints / The lawless soldiers' victims."

— Smith, Charlotte (1749-1806)

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Date: 1794

Busy thought may paint "a thousand horrors"

— Cave [later Winscom], Jane (c.1754-1813)

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Date: 1794

"As her imagination painted with melancholy touches, the deserted plains of Troy, such as they appeared in this after-day, she reanimated the landscape with the following little story."

— Radcliffe [née Ward], Ann (1764-1823)

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The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.