Date: 1688

"Here's Cavities, says one; and here, says he, / Is th' Seat of Fancy, Judgment, Memory: / Here, says another, is the fertile Womb, / From whence the Spirits Animal do come, / Which are mysteriously ingender'd here, / Of Spirits from Arterious Blood and Air: / Here, said a third, Life made her fi...

— Barker, Jane (1675-1743)

Date: 1688

"But Love, who had hitherto but play'd with her Heart, and given it naught but pleasing, wanton Wounds, such as afforded only soft Joys, and not Pains, resolv'd, either out of Revenge to those Numbers she had abandon'd, and who had sigh'd so long in vain; or to try what power he had upon so fickl...

— Behn, Aphra (1640?-1689)

Date: 1689

"Ah, Sister! (reply'd the dejected Henault) your Counsel comes too late, and your Reasons are of too feeble force, to rebate those Arrows, the Charming Isabella's Eyes have fix'd in my Heart and Soul"

— Behn, Aphra (1640?-1689)

Date: 1694

"An obliging Design, which wou'd procure them inward Beauty, to whom Nature has unkindly denied the outward; and not permit those Ladies who have comely Bodies, to tarnish their Glory with deformed Souls."

— Astell, Mary (1666-1731)

Date: 1696

"A Scene of greatness strait appear'd to Melora; and she with the Eye of Fancy, beheld her self seated in a Palace, attended by persons, born above her."

— Pix, Mary (c.1666-1720)

Date: 1696

"I will, in every particular, obey you, (answers that Dejected Man) but e'er I go, I wou'd, on my Knees, implore what will, in you, be an Act of Mercy, almost above a Mortal; and bring to my despairing Soul, the only Balsam, that can heal it's rancorous Wounds, and deter my Desperate Hand, from C...

— Pix, Mary (c.1666-1720)

Date: 1698

"Contagion seize 'em, Mildews and Blasts destroy her Beauty, stamp her Face as deform'd as her Soul, for, a Plague on her, she's too handsom now."

— Pix, Mary (c.1666-1720)

Date: 1700

"Her Night-gown hanging loose, discover’d her charming Bosom, which cou’d bear no Name, but Transport, Wonder and Extasy, all which struck his Soul, as soon as the Object hit his Eye; her Breasts with an easy Heaving, show’d the Smoothness of her Soul and of her Skin; their Motions were so langui...

— Behn, Aphra (1640?-1689)