"But when we consider the Sun, in reference to Wax, which it melts or blanches, we look upon the Whiteness and Softness produced in the Wax, not as Qualities in the Sun, but effects produced by Powers in it: Whereas, if rightly considered, these Qualities of Light and Warmth, which are Perceptions in me when I am warmed, or enlightned by the the Sun, are no otherwise in the Sun, than the changes made in the Wax, when it is blanched or melted, are in the Sun."

— Locke, John (1632-1704)


Place of Publication
London
Date
1690, 1694, 1695, 1700, 1706
Metaphor
"But when we consider the Sun, in reference to Wax, which it melts or blanches, we look upon the Whiteness and Softness produced in the Wax, not as Qualities in the Sun, but effects produced by Powers in it: Whereas, if rightly considered, these Qualities of Light and Warmth, which are Perceptions in me when I am warmed, or enlightned by the the Sun, are no otherwise in the Sun, than the changes made in the Wax, when it is blanched or melted, are in the Sun."
Metaphor in Context
But though these two later sorts of Qualities are Powers barely, and nothing but Powers, relating to several other Bodies, and resulting from the different Modifications of the Original Qualities; yet they are generally otherwise thought of. For the Second sort, viz. The Powers to produce several Ideas in us by our Senses, are looked upon as real Qualities, in the things thus affecting us: But the Third sort are call'd, and esteemed barely Powers. v. g. the Idea of Heat, or Light, which we receive by our Eyes, or touch from the Sun, are commonly thought real Qualities, existing in the Sun, and something more than mere Powers in it. But when we consider the Sun, in reference to Wax, which it melts or blanches, we look upon the Whiteness and Softness produced in the Wax, not as Qualities in the Sun, but effects produced by Powers in it: Whereas, if rightly considered, these Qualities of Light and Warmth, which are Perceptions in me when I am warmed, or enlightned by the the Sun, are no otherwise in the Sun, than the changes made in the Wax, when it is blanched or melted, are in the Sun. They are all of the equally Powers in the Sun, depending on its primary Qualities; whereby it is able in the one case, so to alter the Bulk, Figure, Texture, or Motion of some insensible parts of my Eyes, or Hands, as thereby to produce in me the Idea of Light or Heat; and in the other, it is able so to alter the Bulk, Figure, Texture, or Motion of the insensible Parts of the Wax, as to make them fit to produce in me the distinct Ideas of White and Fluid.
(II.viii.24)
Categories
Provenance
Reading
Citation
Locke began composition as early as 1671 (Drafts A and B).

I find over 25 entries in the ESTC (1690, 1694, 1695, 1700, 1706, 1710, 1715, 1721, 1726, 1731, 1735, 1741, 1748, 1753, 1759, 1760, 1765, 1768, 1775, 1777, 1786, 1788, 1793, 1795, 1796, 1798). See also the many abridgements issued in the period.

First published as An Essay Concerning Humane Understanding. In Four Books. (London: Printed by Eliz. Holt, for Thomas Basset, at the George in Fleetstreet, near St. Dunstan's Church, 1690). <Link to EEBO><EEBO-TCP>

Searching first in a Past Masters edition based on the 12th Edition of Locke's Works and proofread against the 1959 Fraser edition. More recent searches in EEBO-TCP.

Reading John Locke's An Essay Concerning Human Understanding, ed. Peter Nidditch (Oxford, Oxford UP, 1975)--against which I have checked the text searched in Past Masters. Note, Nidditch's text is based on 4th ed. of 1700.
Date of Entry
09/15/2003

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.