"Characters drawn on Dust, that the first breath of wind effaces; or Impressions made on a heap of Atoms, or animal Spirits, are altogether as useful, and render the Subject as noble, as the Thoughts of a Soul that perish in thinking; that once out of sight, are gone for ever, and leave no memory of themselves behind them."

— Locke, John (1632-1704)


Place of Publication
London
Date
1690, 1694, 1695, 1700, 1706
Metaphor
"Characters drawn on Dust, that the first breath of wind effaces; or Impressions made on a heap of Atoms, or animal Spirits, are altogether as useful, and render the Subject as noble, as the Thoughts of a Soul that perish in thinking; that once out of sight, are gone for ever, and leave no memory of themselves behind them."
Metaphor in Context
If it has no memory of its own Thoughts; if it cannot lay them up for its use, and be able to recal them upon occasion; if it cannot reflect upon what is past, and make use of its former Experiences, Reasonings, and Contemplations to what purpose does it think? They who make the Soul a thinking Thing at this rate, will not make it a much more noble Being, than those do, whom they condemn, for allowing it to be nothing but the subtilest parts of Matter. Characters drawn on Dust, that the first breath of wind effaces; or Impressions made on a heap of Atoms, or animal Spirits, are altogether as useful, and render the Subject as noble, as the Thoughts of a Soul that perish in thinking; that once out of sight, are gone for ever, and leave no memory of themselves behind them. Nature never makes excellent things, for mean or no uses: and it is hardly to be conceived, that our infinitely wise Creator, should make so admirable a Faculty, as the power of Thinking, that Faculty which comes nearest the Excellency of his own incomprehensible Being, to be so idlely and uselessly employ'd, at least 1/4 part of its time here, as to think constantly, without remembering any of those Thoughts, without doing any good to it self or others, or being any way useful to any other part of Creation.
(II.i.15)
Provenance
Reading
Citation
Locke began composition as early as 1671 (Drafts A and B).

I find over 25 entries in the ESTC (1690, 1694, 1695, 1700, 1706, 1710, 1715, 1721, 1726, 1731, 1735, 1741, 1748, 1753, 1759, 1760, 1765, 1768, 1775, 1777, 1786, 1788, 1793, 1795, 1796, 1798). See also the many abridgements issued in the period.

First published as An Essay Concerning Humane Understanding. In Four Books. (London: Printed by Eliz. Holt, for Thomas Basset, at the George in Fleetstreet, near St. Dunstan's Church, 1690). <Link to EEBO><EEBO-TCP>

Searching first in a Past Masters edition based on the 12th Edition of Locke's Works and proofread against the 1959 Fraser edition. More recent searches in EEBO-TCP.

Reading John Locke's An Essay Concerning Human Understanding, ed. Peter Nidditch (Oxford, Oxford UP, 1975)--against which I have checked the text searched in Past Masters. Note, Nidditch's text is based on 4th ed. of 1700.
Date of Entry
09/06/2003
Date of Review
06/24/2004

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.