One may scorn disguise and meaner Arts and "with a native Honour" conquer Hearts
— Philips [née Fowler], Katherine (1632-1664)
Place of Publication
London
Publisher
Printed by J. M. for H. Herringman
Date
1667
Metaphor
One may scorn disguise and meaner Arts and "with a native Honour" conquer Hearts
Metaphor in Context
Dry up your tears, there's enough shed by you,
And we must pay our share of Sorrows too.
It is no private loss when such men fall,
The VVorld's concern'd, and Grief is general.
But though of our Misfortune we complain,
To him it is injurious and vain.
For since we know his rich Integrity,
His real Sweetness, and full Harmony;
How free his heart and house were to his Friends,
VVhom he oblig'd without Design or Ends;
How universal was his courtesie,
How clear a Soul, how even, and how high;
How much he scorn'd disguise or meaner Arts,
But with a native Honour conquer'd Hearts;
We must conclude he was a Treasure lent,
Soon weary of this sordid Tenement.
The Age and World deserv'd him not, and he
Was kindly snatch'd from future Misery.
We can scarce say he's Dead, but gone to rest,
And left a Monument in ev'ry breast.
For you to grieve then in this sad excess,
Is not to speak your Love, but make it less.
A noble Soul no Friendship will admit,
But what's Eternal and Divine as it.
The Soul is hid in mortal flesh we know,
And all its weaknesses must undergo,
Till by degrees it does shine forth at length,
And gathers Beauty, Purity, and Strength:
But never yet doth this Immortal Ray
Put on full splendour till it put off Clay:
So Infant Love is in the worthiest breast
By Sense and Passion fetter'd and opprest;
But by degrees it grows still more refin'd,
And scorning clogs, only concerns the mind.
Now as the Soul you lov'd is here set free
From its material gross capacity;
Your Love should follow him now he is gone,
And quitting Passion, put Perfection on.
Such Love as this will its own good deny,
If its dear Object have Felicity.
And since we cannot his great Loss Reprieve,
Let's not lose you in whom he still doth Live.
For while you are by Grief secluded thus,
It doth appear your Funeral to us.
And we must pay our share of Sorrows too.
It is no private loss when such men fall,
The VVorld's concern'd, and Grief is general.
But though of our Misfortune we complain,
To him it is injurious and vain.
For since we know his rich Integrity,
His real Sweetness, and full Harmony;
How free his heart and house were to his Friends,
VVhom he oblig'd without Design or Ends;
How universal was his courtesie,
How clear a Soul, how even, and how high;
How much he scorn'd disguise or meaner Arts,
But with a native Honour conquer'd Hearts;
We must conclude he was a Treasure lent,
Soon weary of this sordid Tenement.
The Age and World deserv'd him not, and he
Was kindly snatch'd from future Misery.
We can scarce say he's Dead, but gone to rest,
And left a Monument in ev'ry breast.
For you to grieve then in this sad excess,
Is not to speak your Love, but make it less.
A noble Soul no Friendship will admit,
But what's Eternal and Divine as it.
The Soul is hid in mortal flesh we know,
And all its weaknesses must undergo,
Till by degrees it does shine forth at length,
And gathers Beauty, Purity, and Strength:
But never yet doth this Immortal Ray
Put on full splendour till it put off Clay:
So Infant Love is in the worthiest breast
By Sense and Passion fetter'd and opprest;
But by degrees it grows still more refin'd,
And scorning clogs, only concerns the mind.
Now as the Soul you lov'd is here set free
From its material gross capacity;
Your Love should follow him now he is gone,
And quitting Passion, put Perfection on.
Such Love as this will its own good deny,
If its dear Object have Felicity.
And since we cannot his great Loss Reprieve,
Let's not lose you in whom he still doth Live.
For while you are by Grief secluded thus,
It doth appear your Funeral to us.
Categories
Provenance
Searching "conque" and "heart" in HDIS (Poetry)
Citation
4 records in ESTC (1667, 1669, 1678, 1710).
Text from Poems: By the most deservedly Admired Mrs Katherine Philips: The matchless Orinda. To which is added Monsieur Corneille's Pompey & Horace Tragedies. With several other Translations out of French (London: Printed by J. M. for H. Herringman, 1667). <Link to EEBO>
Text from Poems: By the most deservedly Admired Mrs Katherine Philips: The matchless Orinda. To which is added Monsieur Corneille's Pompey & Horace Tragedies. With several other Translations out of French (London: Printed by J. M. for H. Herringman, 1667). <Link to EEBO>
Date of Entry
02/09/2005
