"Their [philosopher's] sole reason for positing such images was that they saw how easily a picture can stimulate our mind to conceive the objects depicted in it, and so it seemed to them that, in the same way, the mind must be stimulated, by little pictures formed in our head, to conceive the objects that affect our senses."

— Descartes, René (1596-1650)


Work Title
Place of Publication
Leiden
Date
1637
Metaphor
"Their [philosopher's] sole reason for positing such images was that they saw how easily a picture can stimulate our mind to conceive the objects depicted in it, and so it seemed to them that, in the same way, the mind must be stimulated, by little pictures formed in our head, to conceive the objects that affect our senses."
Metaphor in Context
We must take care not to assume - as our philosophers commonly do - that in order to have sensory perceptions the soul must contemplate certain images transmitted by objects to the brain; or at any rate we must conceive the nature of these images in an entirely different manner from that of the philosophers. For since their conception of the images is confined to the requirement that they should resemble the objects they represent, the philosophers cannot possibly show us how the images can be formed by the objects, or how they can be received by the external sense organs and transmitted by the nerves to the brain. Their sole reason for positing such images was that they saw how easily a picture can stimulate our mind to conceive the objects depicted in it, and so it seemed to them that, in the same way, the mind must be stimulated, by little pictures formed in our head, to conceive the objects that affect our senses. We should, however, recall that our mind can be stimulated by many things other than images -- by signs and words, for example, which in no way resemble the things they signify. And if, in order to depart as little as possible from accepted views, we prefer to maintain that the objects which we perceive by our senses really send images of themselves to the inside of our brain, we must at least observe that in no case does an image have to resemble the object it represents in all respects, for otherwise there would be no distinction between the object and its image. It is enough that the image resembles its object in a few respects. Indeed the perfection of an image often depends on its not resembling its object as much as it might. You can see this in the case of engravings: consisting simply of a little ink placed here and there on a piece of paper, they represent to us forests, towns, people, and even battles and storms; and although they make us think of countless different qualities in these objects, it is only in respect of shape that there is any real resemblance. And even this resemblance is very imperfect, since engravings represent to us bodies of varying relief and depth on a surface which is entirely flat. Moreover, in accordance with the rules of perspective they often represent circles by ovals better than by other circles, squares by rhombuses better than by other squares, and similarly for other shapes. Thus it often happens that in order to be more perfect as an image and to represent an object better, an engraving ought not to resemble it. Now we must think of the images formed in our brain in just the same way, and note that the problem is to know simply how they can enable the soul to have sensory perceptions of all the various qualities of the objects to which they correspond -- not to know how they can resemble these objects. For instance, when our blind man touches bodies with his stick, they certainly do not transmit anything to him except in so far as they cause his stick to move in different ways according to the different qualities in them, thus likewise setting in motion the nerves in his hand, and then the regions of his brain where these nerves originate. This is what occasions his soul to have sensory perception of just as many different qualities in these bodies as there are differences in the movements caused by them in his brain.
(pp. 165-6)
Provenance
Past Masters
Citation
Descartes, René. The Philosophical Writings of Descartes. Trans. John Cottingham, Robert Stoothof, and Dugald Murdoch. Cambridge: Cambridge University Press, 1985.
Date of Entry
10/03/2003

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.