"It has to be on that stage / And, like an insatiable actor, slowly and / With meditation, speak words that in the ear, / In the delicatest ear of the mind, repeat, / Exactly, that which it wants to hear, at the sound / Of which, an invisible audience listens, / Not to the play, but to itself, expressed / In an emotion as of two people, as of two / Emotions becoming one."
— Stevens, Wallace (1879-1955)
Author
Work Title
Publisher
Knopf
Date
1942
Metaphor
"It has to be on that stage / And, like an insatiable actor, slowly and / With meditation, speak words that in the ear, / In the delicatest ear of the mind, repeat, / Exactly, that which it wants to hear, at the sound / Of which, an invisible audience listens, / Not to the play, but to itself, expressed / In an emotion as of two people, as of two / Emotions becoming one."
Metaphor in Context
It has to be living, to learn the speech of the place.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
It has to face the men of the time and to meet
The women of the time. It has to think about war
And it has to find what will suffice. It has
To construct a new stage. It has to be on that stage
And, like an insatiable actor, slowly and
With meditation, speak words that in the ear,
In the delicatest ear of the mind, repeat,
Exactly, that which it wants to hear, at the sound
Of which, an invisible audience listens,
Not to the play, but to itself, expressed
In an emotion as of two people, as of two
Emotions becoming one. The actor is
A metaphysician in the dark, twanging
An instrument, twanging a wiry string that gives
Sounds passing through sudden rightnesses, wholly
Containing the mind, below which it cannot descend,
Beyond which it has no will to rise.
Categories
Provenance
Reading
Citation
Wallace Stevens, "Of Modern Poetry," The Collected Poems of Wallace Stevens (New York: Alfred A. Knopf, 1990) <Link to www.poetryfoundation.org>
Date of Entry
05/09/2025
