"Erect your schemes with as much method and skill as you please; yet, if the materials be nothing but dirt, spun out of your own entrails (the guts of modern brains), the edifice will conclude at last in a cobweb; the duration of which, like that of other spiders’ webs, may be imputed to their being forgotten, or neglected, or hid in a corner."
— Swift, Jonathan (1667-1745)
Author
Work Title
Place of Publication
London
Publisher
John Nutt
Date
1704
Metaphor
"Erect your schemes with as much method and skill as you please; yet, if the materials be nothing but dirt, spun out of your own entrails (the guts of modern brains), the edifice will conclude at last in a cobweb; the duration of which, like that of other spiders’ webs, may be imputed to their being forgotten, or neglected, or hid in a corner."
Metaphor in Context
It happened upon this emergency that Æsop broke silence first. He had been of late most barbarously treated by a strange effect of the regent’s humanity, who had torn off his title-page, sorely defaced one half of his leaves, and chained him fast among a shelf of Moderns. Where, soon discovering how high the quarrel was likely to proceed, he tried all his arts, and turned himself to a thousand forms. At length, in the borrowed shape of an ass, the regent mistook him for a Modern; by which means he had time and opportunity to escape to the Ancients, just when the spider and the bee were entering into their contest; to which he gave his attention with a world of pleasure, and, when it was ended, swore in the loudest key that in all his life he had never known two cases, so parallel and adapt to each other as that in the window and this upon the shelves. “The disputants,” said he, “have admirably managed the dispute between them, have taken in the full strength of all that is to be said on both sides, and exhausted the substance of every argument pro and con. It is but to adjust the reasonings of both to the present quarrel, then to compare and apply the labours and fruits of each, as the bee has learnedly deduced them, and we shall find the conclusion fall plain and close upon the Moderns and us. For pray, gentlemen, was ever anything so modern as the spider in his air, his turns, and his paradoxes? he argues in the behalf of you, his brethren, and himself, with many boastings of his native stock and great genius; that he spins and spits wholly from himself, and scorns to own any obligation or assistance from without. Then he displays to you his great skill in architecture and improvement in the mathematics. To all this the bee, as an advocate retained by us, the Ancients, thinks fit to answer, that, if one may judge of the great genius or inventions of the Moderns by what they have produced, you will hardly have countenance to bear you out in boasting of either. Erect your schemes with as much method and skill as you please; yet, if the materials be nothing but dirt, spun out of your own entrails (the guts of modern brains), the edifice will conclude at last in a cobweb; the duration of which, like that of other spiders’ webs, may be imputed to their being forgotten, or neglected, or hid in a corner. For anything else of genuine that the Moderns may pretend to, I cannot recollect; unless it be a large vein of wrangling and satire, much of a nature and substance with the spiders’ poison; which, however they pretend to spit wholly out of themselves, is improved by the same arts, by feeding upon the insects and vermin of the age. As for us, the Ancients, we are content with the bee, to pretend to nothing of our own beyond our wings and our voice: that is to say, our flights and our language. For the rest, whatever we have got has been by infinite labour and search, and ranging through every corner of nature; the difference is, that, instead of dirt and poison, we have rather chosen to till our hives with honey and wax; thus furnishing mankind with the two noblest of things, which are sweetness and light.”
(Text from Project Gutenberg, cf. pp. 248-251 in 1704 ed.)
(Text from Project Gutenberg, cf. pp. 248-251 in 1704 ed.)
Categories
Provenance
Forwarded to me by Sarah Tindal Kareem
Citation
Published with A Tale of a Tub. 43 entries in the ESTC (1704, 1705, 1710, 1711, 1724, 1726, 1727, 1733, 1734, 1739, 1741, 1742, 1743, 1747, 1750, 1751, 1752, 1753, 1754, 1756, 1760, 1762, 1766, 1768, 1769, 1771, 1772, 1776, 1781, 1784, 1798).
Reading Jonathan Swift, A Tale of a Tub and Other Works, eds. Angus Ross and David Woolley. (Oxford: Oxford University Press, 1986). Some text drawn from ebooks@Adelaide.
Note, the textual history is complicated. First published May 10, 1704. The second edition of 1704 and the fifth of 1710 include new material. Ross and Woolley's text is an eclectic one, based on the three authoritative editions.
See A Tale of a Tub. Written for the Universal Improvement of Mankind. To Which Is Added, an Account of a Battel Between the Antient and Modern Books in St. James’s Library, 2nd edition, corrected (London: Printed for John Nutt, 1704). <Link to ESTC>
Reading Jonathan Swift, A Tale of a Tub and Other Works, eds. Angus Ross and David Woolley. (Oxford: Oxford University Press, 1986). Some text drawn from ebooks@Adelaide.
Note, the textual history is complicated. First published May 10, 1704. The second edition of 1704 and the fifth of 1710 include new material. Ross and Woolley's text is an eclectic one, based on the three authoritative editions.
See A Tale of a Tub. Written for the Universal Improvement of Mankind. To Which Is Added, an Account of a Battel Between the Antient and Modern Books in St. James’s Library, 2nd edition, corrected (London: Printed for John Nutt, 1704). <Link to ESTC>
Date of Entry
08/27/2024