"'Tis evident, that poets make use of this artifice of borrowing the names of their persons, and the chief events of their poems, from history, in order to procure a more easy reception for the whole, and cause it to make a deeper impression on the fancy and affections."

— Hume, David (1711-1776)


Place of Publication
London
Publisher
Printed for John Noon
Date
January 1739
Metaphor
"'Tis evident, that poets make use of this artifice of borrowing the names of their persons, and the chief events of their poems, from history, in order to procure a more easy reception for the whole, and cause it to make a deeper impression on the fancy and affections."
Metaphor in Context
THIS mixture of truth and falshood in the fables of tragic poets not only serves our present purpose, by shewing, that the imagination can be satisfy'd without any absolute belief or assurance; but may in another view be regarded as a very strong confirmation of this system. 'Tis evident, that poets make use of this artifice of borrowing the names of their persons, and the chief events of their poems, from history, in order to procure a more easy reception for the whole, and cause it to make a deeper impression on the fancy and affections. The several incidents of the piece acquire a kind of relation by being united into one poem or representation; and if any of these incidents be an object of belief, it bestows a force and vivacity on the others, which are related to it. The vividness of the first conception diffuses itself along the relations, and is convey'd, as by so many pipes or canals, to every idea that has any communication with the primary one. This, indeed, can never amount to a perfect assurrance; and that because the union among the ideas is, in a manner, accidental: But still it approaches so near, in its influence, as may convince us, that they are deriv'd from the same origin. Belief must please the imagination by means of the force and vivacity which attends it; since every idea, which has force and vivacity, is found to be agreeable to that faculty.
(I.iii.10, pp. 216-7; p. 83-4 in Oxford ed.)
Categories
Provenance
Reading
Citation
Published anonymously with vols. I and II appearing in January in 1739 and vol. III appearing in November of 1740. Only 1 entry in the ESTC (1740).

David Hume, A Treatise of Human Nature. Being an Attempt to Introduce the Experimental Method of Reasoning into Moral Subjects. 3 vols. (London: Printed for John Noon, 1739; Thomas Longman, 1740). <Link to ESTC><Link to ECCO><Link to ECCO-TCP><Link to OLL>

Reading David Hume, A Treatise of Human Nature, eds. D. F. and M. J. Norton (Oxford: OUP, 2000). Searching in Past Masters and OLL editions.
Date of Entry
04/04/2017

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.