"That she might not appear, however, to observe or expect him, she kept her eyes intently fixed on her fan; and a self-condemnation for her folly, in supposing that among such a crowd they should even meet with the Tilneys in any reasonable time, had just passed through her mind, when she suddenly found herself addressed and again solicited to dance, by Mr. Tilney himself. With what sparkling eyes and ready motion she granted his request, and with how pleasing a flutter of heart she went with him to the set, may be easily imagined."

— Austen, Jane (1775-1817)


Work Title
Place of Publication
London
Publisher
John Murray
Date
1818
Metaphor
"That she might not appear, however, to observe or expect him, she kept her eyes intently fixed on her fan; and a self-condemnation for her folly, in supposing that among such a crowd they should even meet with the Tilneys in any reasonable time, had just passed through her mind, when she suddenly found herself addressed and again solicited to dance, by Mr. Tilney himself. With what sparkling eyes and ready motion she granted his request, and with how pleasing a flutter of heart she went with him to the set, may be easily imagined."
Metaphor in Context
Catherine had neither time nor inclination to answer. The others walked away, John Thorpe was still in view, and she gave herself up for lost. That she might not appear, however, to observe or expect him, she kept her eyes intently fixed on her fan; and a self-condemnation for her folly, in supposing that among such a crowd they should even meet with the Tilneys in any reasonable time, had just passed through her mind, when she suddenly found herself addressed and again solicited to dance, by Mr. Tilney himself. With what sparkling eyes and ready motion she granted his request, and with how pleasing a flutter of heart she went with him to the set, may be easily imagined. To escape, and, as she believed, so narrowly escape John Thorpe, and to be asked, so immediately on his joining her, asked by Mr. Tilney, as if he had sought her on purpose!---it did not appear to her that life could supply any greater felicity.
(I, pp. 166-7; p. 50 in Norton ed.)
Categories
Provenance
Reading
Citation
See Northanger Abbey: and Persuasion. But the Author of "Pride and Prejudice," "Mansfield-Park," &c. With a Biographical Notice of the Author. 4 vols. (London: John Murray, Albemarle Street, 1818).

Reading Northanger Abbey, ed. Susan Fraiman (New York: W. W. Norton & Co., 2004).
Date of Entry
09/02/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.