"The images that impressed his sleeping fancy remained strongly on his mind waking; but his reason strove to disperse them; it was natural that the story he had heard should create these ideas, that they should wait on him in his sleep, and that every dream should bear some relation to his deceased friend."

— Reeve, Clara (1729-1807)


Date
1777, 1780
Metaphor
"The images that impressed his sleeping fancy remained strongly on his mind waking; but his reason strove to disperse them; it was natural that the story he had heard should create these ideas, that they should wait on him in his sleep, and that every dream should bear some relation to his deceased friend."
Metaphor in Context
During his sleep, many strange and incoherent dreams arose to his imagination. He thought he received a message from his friend Lord Lovel, to come to him at the Castle; that he stood at the gate and received him, that he strove to embrace him, but could not; but that he spoke to this effect.--Though I have been dead these fifteen years, I still command here, and none can enter these gates without my permission; know that it is I that invite, and bid you welcome; the hopes of my house rest upon you. Upon this he bid Sir Philip follow him; he led him through many rooms, till at last he sunk down, and Sir Philip thought he still followed him, till he came into a dark and frightful cave, where he disappeared, and in his stead he beheld a complete suit of armour stained with blood, which belonged to his friend, and he thought he heard dismal groans from beneath. Presently after, he thought he was hurried away by an invisible hand, and led into a wild heath, where the people were inclosing the ground, and making preparations for two combatants; the trumpet sounded, and a voice called out still louder, Forbear! It is not permitted to be revealed till the time is ripe for the event: Wait with patience on the decrees of heaven.--He was then transported to his own house, where, going into an unfrequented room, he was again met by his friend, who was living, and in all the bloom of youth, as when he first knew him: He started at the sight, and awoke. The sun shone upon his curtains, and, perceiving it was day, he sat up, and recollected where he was. The images that impressed his sleeping fancy remained strongly on his mind waking; but his reason strove to disperse them; it was natural that the story he had heard should create these ideas, that they should wait on him in his sleep, and that every dream should bear some relation to his deceased friend. The sun dazzled his eyes, the birds serenaded him and diverted his attention, and a woodbine forced its way through the window, and regaled his sense of smelling with its fragrance.--He arose, paid his devotions to Heaven, and then carefully descended the narrow stairs, and went out at the door of the cottage. There he saw the industrious wife and daughter of old Wyatt at their morning work, the one milking her cow, the other feeding her poultry. He asked for a draught of milk, which, with a slice of rye bread, served to break his fast. He walked about the fields alone; for old Wyatt and his two sons were gone out to their daily labour. He was soon called back by the good woman, who told him that a servant from the Baron waited to conduct him to the Castle. He took leave of Wyatt's wife, telling her he would see her again before he left the country. The daughter fetched his horse, which he mounted, and set forward with the servant, of whom he asked many questions concerning his master's family. How long have you lived with the Baron?--Ten years.--Is he a good master?--Yes, Sir, and also a good husband and father.--What family has he?--Three sons and a daughter--What age are they of?--The eldest son is in his seventeenth year, the second in his sixteenth, the others several years younger; but beside these my Lord has several young gentlemen brought up with his own sons, two of which are his nephews; he keeps in his house a learned clerk to teach them languages; and as for all bodily exercises, none come near them; there is a fletcher to teach them the use of the cross bow; a master to teach them to ride; another the use of the sword; another learns them to dance; and then they wrestle and run, and have such activity in all their motions, that it does one good to see them; and my Lord thinks nothing too much to bestow on their education. Truly, says Sir Philip, he does the part of a good parent, and I honour him greatly for it; but are the young gentlemen of a promising disposition?--Yes indeed, Sir, answered the servant; the young gentlemen, my Lord's sons, are hopeful youths; but yet there is one who is thought to exceed them all, though he is the son of a poor labourer.--And who is he? said the knight.--One Edmund Twyford, the son of a cottager in our village; he is to be sure as fine a youth as ever the sun shone upon, and of so sweet a disposition that nobody envies his good fortune.--What good fortune does he enjoy?--Why, Sir, about two years ago, my Lord, at his sons request, took him into his own family, and gives him the same education as his own children; the young Lords doat upon him, especially Master William, who is about his own age: It is supposed that he will attend the young Lords when they go to the wars, which my Lord intends they shall bye and bye.--What you tell me, said Sir Philip, increases every minute my respect for your Lord; he is an excellent father and master, he seeks out merit in obscurity, he distinguishes and rewards it: I honour him with all my heart.
(pp. 11-13)
Categories
Provenance
Searching in LION
Citation
At least 15 entries in ESTC (1777, 1778, 1780, 1784, 1787, 1789, 1790, 1791, 1794, 1797, 1795, 1799).

See The Old English Baron: A Gothic Story. By Clara Reeve. (London: Printed for Edward and Charles Dilly in the Poultry, 1778). <Link to ESTC>

First published as The Champion of Virtue. A Gothic Story. By the Editor of the Phoenix. a Translation of Barclay’s Argenis. (Colchester: Printed for the author, by W. Kfymer [sic], and sold by him; sold also by G. Robinson, London, 1777). <Link to ESTC>

Text from The Old English Baron: A Gothic Story. By Clara Reeve. 2nd edition (London: Printed for Charles Dilly, 1780). <Link to LION>
Date of Entry
08/02/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.