"Mean while, What think'st thou? Was the human Soul, / Which by a transient Glance from Pole to Pole / Travels more swift than Light, to Heav'n sublime / Can fly, descend to Hell, six fleeting Time, / The Past and Future to the Present join, / And knows no Bounds which can Its Range confine, / But Infinite alone--"
— Trapp, Joseph (1679-1747)
Author
Place of Publication
London
Date
1735, 1745
Metaphor
"Mean while, What think'st thou? Was the human Soul, / Which by a transient Glance from Pole to Pole / Travels more swift than Light, to Heav'n sublime / Can fly, descend to Hell, six fleeting Time, / The Past and Future to the Present join, / And knows no Bounds which can Its Range confine, / But Infinite alone--"
Metaphor in Context
Mean while, What think'st thou? Was the human Soul,
Which by a transient Glance from Pole to Pole
Travels more swift than Light, to Heav'n sublime
Can fly, descend to Hell, six fleeting Time,
The Past and Future to the Present join,
And knows no Bounds which can Its Range confine,
But Infinite alone--
Which reasons justly, Its own Thoughts o'er-rules,
And Fancy's Fire with Judgment's Temper cools;
By Sciences brings hidden Truths to Light:
Some Knowledge gains; but, with fresh Appetite,
Unsatisfy'd, for more still thirsts, and pants,
Knowing, the more It has, how much It wants;
Was by th'Almighty's Wisdom for no End
Design'd, but here a sad short Life to spend;
Only to trifle sev'nty Years away
In this frail Flesh, this Tenement of Clay,
In Doubt, in Fear, in Sorrow, in Despair,
Then cease to be, and vanish into Air?
While various Species of th'inferior, brute
Creation, void of Reason, prone, and mute,
Beasts, Fishes, Birds, ev'n Vegetables, Trees,
The Oak, the Yew, and other Things like These,
Senseless, inanimate, whole Ages last,
After our longest Term of Days is past?
Should One in Pow'rs mechanick most expert
The utmost Efforts of his Skill exert,
Some curious, delicate Machine to frame,
Surpassing all his other Works of Fame;
Yet so contriv'd, that one revolving Sun
Should see This mighty Doing quite undone;
The Wheels, and Springs stand still, and made to stand,
Fix'd, disobedient to the Mover's Hand;
Or, bursting, into Dissolution fly,
And all dispers'd in useless Fragments lie:
Would'st thou not say that, after such Expense
Of Art, the Artist wanted Common Sense?
And shall Eternal Wisdom be impeach'd
Of Folly, which no Mortal Fool e'er reach'd?
(cf. p. 12 in 1734 publication of Part I, Death)
Which by a transient Glance from Pole to Pole
Travels more swift than Light, to Heav'n sublime
Can fly, descend to Hell, six fleeting Time,
The Past and Future to the Present join,
And knows no Bounds which can Its Range confine,
But Infinite alone--
Which reasons justly, Its own Thoughts o'er-rules,
And Fancy's Fire with Judgment's Temper cools;
By Sciences brings hidden Truths to Light:
Some Knowledge gains; but, with fresh Appetite,
Unsatisfy'd, for more still thirsts, and pants,
Knowing, the more It has, how much It wants;
Was by th'Almighty's Wisdom for no End
Design'd, but here a sad short Life to spend;
Only to trifle sev'nty Years away
In this frail Flesh, this Tenement of Clay,
In Doubt, in Fear, in Sorrow, in Despair,
Then cease to be, and vanish into Air?
While various Species of th'inferior, brute
Creation, void of Reason, prone, and mute,
Beasts, Fishes, Birds, ev'n Vegetables, Trees,
The Oak, the Yew, and other Things like These,
Senseless, inanimate, whole Ages last,
After our longest Term of Days is past?
Should One in Pow'rs mechanick most expert
The utmost Efforts of his Skill exert,
Some curious, delicate Machine to frame,
Surpassing all his other Works of Fame;
Yet so contriv'd, that one revolving Sun
Should see This mighty Doing quite undone;
The Wheels, and Springs stand still, and made to stand,
Fix'd, disobedient to the Mover's Hand;
Or, bursting, into Dissolution fly,
And all dispers'd in useless Fragments lie:
Would'st thou not say that, after such Expense
Of Art, the Artist wanted Common Sense?
And shall Eternal Wisdom be impeach'd
Of Folly, which no Mortal Fool e'er reach'd?
(cf. p. 12 in 1734 publication of Part I, Death)
Categories
Provenance
Searching in HDIS (Poetry); confirmed in ECCO.
Citation
At least 12 entries in ECCO and ESTC (1734, 1735, 1736, 1745, 1748, 1749).
Four parts published separately in 1734-1735:
Text from Thoughts Upon The Four Last Things: Death; Judgment; Heaven; and Hell. A Poem In Four Parts. The Second Edition. To which are added, The I, CIV, and CXXXVII Psalms Paraphras'd (London: Printed for W. Russel, 1745). <Link to ESTC>
Four parts published separately in 1734-1735:
- Thoughts Upon the Four Last Things: Death; Judgment; Heaven; Hell. A Poem in Four Parts. Part I. Death. (London: Printed for Lawton Gilliver at Homer’s Head against St. Dunstan’s Church in Fleetstreet, 1734). <Link to ESTC>
- Thoughts Upon the Four Last Things: Death; Judgment; Heaven; Hell. A Poem in Four Parts. Part II. Judgment. (London: Printed by J. Wright, for Lawton Gilliver at Homer’s Head against St. Dunstan’s Church in Fleetstreet, 1734). <Link to ESTC>
- Thoughts upon the four last things: death; judgment; heaven; hell. A poem in four parts. Part III. Heaven. (London: Printed by J. Wright, for Lawton Gilliver at Homer’s Head against St. Dunstan’s Church in Fleet street, 1735). <Link to ESTC>
- Thoughts Upon the Four Last Things: Death; Judgment; Heaven; Hell. A Poem in Four Parts. Part III. Heaven. (London: Printed by J. Wright, for Lawton Gilliver at Homer's Head against St. Dunstan's Church in Fleet street, 1735). <Link to ESTC>
Text from Thoughts Upon The Four Last Things: Death; Judgment; Heaven; and Hell. A Poem In Four Parts. The Second Edition. To which are added, The I, CIV, and CXXXVII Psalms Paraphras'd (London: Printed for W. Russel, 1745). <Link to ESTC>
Theme
Speed of Thought
Date of Entry
07/11/2014
