"But there is nothing that makes its Way more directly to the Soul than Beauty, which immediately diffuses a secret Satisfaction and Complacency through the Imagination, and gives a Finishing to any thing that is Great or Uncommon."
— Addison, Joseph (1672-1719)
Author
Date
Monday, June 23, 1712
Metaphor
"But there is nothing that makes its Way more directly to the Soul than Beauty, which immediately diffuses a secret Satisfaction and Complacency through the Imagination, and gives a Finishing to any thing that is Great or Uncommon."
Metaphor in Context
But there is nothing that makes its Way more directly to the Soul than Beauty, which immediately diffuses a secret Satisfaction and Complacency through the Imagination, and gives a Finishing to any thing that is Great or Uncommon. The very first Discovery of it strikes the Mind with an inward Joy, and spreads a Chearfulness and Delight through all its Faculties. There is not perhaps any real Beauty or Deformity more in one Piece of Matter than another, because we might have been so made, that whatsoever now appears loathsome to us, might have shewn it self agreeable; but we find by Experience, that there are several Modifications of Matter which the Mind, without any previous Consideration, pronounces at first sight Beautiful or Deformed. Thus we see that every different Species of sensible Creatures has its different Notions of Beauty, and that each of them is most affected with the Beauties of its own Kind. This is no where more remarkable than in Birds of the same Shape and Proportion, where we often see the Male determined in his Courtship by the single Grain or Tincture of a Feather, and never discovering any Charms but in the Colour of its Species.
(Cf. III, p. 542 in Bond ed.)
(Cf. III, p. 542 in Bond ed.)
Categories
Provenance
Searching in Project Gutenberg (PGDP) e-text. Confirmed in Bond.
Citation
At least 80 entries in ESTC (1711, 1712, 1713, 1714, 1715, 1716, 1717, 1718, 1720, 1721, 1723, 1724, 1726, 1729, 1733, 1734, 1735, 1737, 1738, 1744, 1745, 1747, 1748, 1749, 1750, 1753, 1754, 1755, 1756, 1756, 1757, 1761, 1763, 1765, 1766, 1767, 1769, 1771, 1776, 1778, 1785, 1788, 1789, 1781, 1793, 1797, 1799, 1800).
By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).
Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>
Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).
Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>
Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
Date of Entry
06/06/2014
