"The Mind of Man naturally hates every thing that looks like a Restraint upon it, and is apt to fancy it self under a sort of Confinement, when the Sight is pent up in a narrow Compass, and shortned on every side by the Neighbourhood of Walls or Mountains."
— Addison, Joseph (1672-1719)
Author
Date
Monday, June 23, 1712
Metaphor
"The Mind of Man naturally hates every thing that looks like a Restraint upon it, and is apt to fancy it self under a sort of Confinement, when the Sight is pent up in a narrow Compass, and shortned on every side by the Neighbourhood of Walls or Mountains."
Metaphor in Context
By Greatness, I do not only mean the Bulk of any single Object, but the Largeness of a whole View, considered as one entire Piece. Such are the Prospects of an open Champain Country, a vast uncultivated Desart, of huge Heaps of Mountains, high Rocks and Precipices, or a wide Expanse of Waters, where we are not struck with the Novelty or Beauty of the Sight, but with that rude kind of Magnificence which appears in many of these stupendous Works of Nature. Our Imagination loves to be filled with an Object, or to grasp at any thing that is too big for its Capacity. We are flung into a pleasing Astonishment at such unbounded Views, and feel a delightful Stillness and Amazement in the Soul at the Apprehension[s] of them. The Mind of Man naturally hates every thing that looks like a Restraint upon it, and is apt to fancy it self under a sort of Confinement, when the Sight is pent up in a narrow Compass, and shortned on every side by the Neighbourhood of Walls or Mountains. On the contrary, a spacious Horizon is an Image of Liberty, where the Eye has Room to range abroad, to expatiate at large on the Immensity of its Views, and to lose it self amidst the Variety of Objects that offer themselves to its Observation. Such wide and undetermined Prospects are as pleasing to the Fancy, as the Speculations of Eternity or Infinitude are to the Understanding. But if there be a Beauty or Uncommonness joined with this Grandeur, as in a troubled Ocean, a Heaven adorned with Stars and Meteors, or a spacious Landskip cut out into Rivers, Woods, Rocks, and Meadows, the Pleasure still grows upon us, as it rises from more than a single Principle.
(Cf. III, pp. 540-1 in Bond ed.)
(Cf. III, pp. 540-1 in Bond ed.)
Categories
Provenance
Searching in Project Gutenberg (PGDP) e-text. Confirmed in Bond.
Citation
At least 80 entries in ESTC (1711, 1712, 1713, 1714, 1715, 1716, 1717, 1718, 1720, 1721, 1723, 1724, 1726, 1729, 1733, 1734, 1735, 1737, 1738, 1744, 1745, 1747, 1748, 1749, 1750, 1753, 1754, 1755, 1756, 1756, 1757, 1761, 1763, 1765, 1766, 1767, 1769, 1771, 1776, 1778, 1785, 1788, 1789, 1781, 1793, 1797, 1799, 1800).
By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).
Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>
Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
By Steele, Addison, Budgell and others, The Spectator (London: Printed for Sam. Buckley, at the Dolphin in Little Britain; and sold by A[nn]. Baldwin in Warwick-Lane, 1711-1714). <Link to ESTC> -- No. 1 (Thursday, March 1. 1711) through No. 555 (Saturday, December 6. 1712); 2nd series, No. 556 (Friday, June 18. 1714), ceased with No. 635 (20 Dec. 1714).
Some text from The Spectator, 3 vols. Ed. Henry Morley (London: George Routledge, 1891). <Link to PGDP edition>
Reading in Donald Bond's edition: The Spectator, 5 vols. (Oxford: Clarendon Press, 1965).
Date of Entry
06/06/2014
