"Her passion continued to prey upon her heart in secret, and she had almost determined to confess her sentiments to her mother, when accident once more threw their object in her way."

— Lewis, Matthew Gregory (1775-1818)


Work Title
Place of Publication
London
Publisher
Printed for J. Bell
Date
1796
Metaphor
"Her passion continued to prey upon her heart in secret, and she had almost determined to confess her sentiments to her mother, when accident once more threw their object in her way."
Metaphor in Context
Her persuasions induced Virginia to lay aside all thoughts of the veil: but another argument, not used by Agnes, had more weight with her than all the others put together. She had seen Lorenzo when he visited his sister at the grate; his person pleased her, and her conversations with Agnes generally used to terminate in some question about her brother. She, who doted upon Lorenzo, wished for no better than an opportunity to trumpet out his praise. She spoke of him in terms of rapture; and, to convince her auditor how just were his sentiments, how cultivated his mind, and elegant his expressions, she shewed her at different times the letters which she received from him. She soon perceived that from these communications the heart of her young friend had imbibed impressions which she was far from intending to give, but was truly happy to discover. She could not have wished her brother a more desirable union: heiress of Villa-Franca, virtuous, affectionate, beautiful, and accomplished, Virginia seemed calculated to make him happy. She sounded her brother upon the subject, though without mentioning names or circumstances. He assured her in his answers, that his heart and hand were totally disengaged, and she thought that upon these grounds she might proceed without danger. She in consequence endeavoured to strengthen the dawning passion of her friend. Lorenzo was made the constant topic of her discourse; and the avidity with which her auditor listened, the sighs which frequently escaped from her bosom, and the eagerness with which upon any digression she brought back the conversation to the subject whence it had wandered, sufficed to convince Agnes that her brother's addresses would be far from disagreeable. She at length ventured to mention her wishes to the duke. Though a stranger to the lady herself, he knew enough of her situation to think her worthy his nephew's hand. It was agreed between him and his niece, that she should insinuate the idea to Lorenzo, and she only waited his return to Madrid to propose her friend to him as his bride. The unfortunate events which took place in the interim, prevented her from executing her design. Virginia wept her loss sincerely, both as a companion, and as the only person to whom she could speak of Lorenzo. Her passion continued to prey upon her heart in secret, and she had almost determined to confess her sentiments to her mother, when accident once more threw their object in her way. The sight of him so near her, his politeness, his compassion, his intrepidity, had combined to give new ardour to her affection. When she now found her friend and advocate restored to her, she looked upon her as a gift from Heaven; she ventured to cherish the hope of being united to Lorenzo, and resolved to use with him his sister's influence.
(III, pp. 226-9)
Categories
Provenance
ECCO-TCP
Citation
12 entries in ESTC (1795, 1796, 1797, 1798, 1799, 1800).

See The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1796). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>

Pre-published as The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1795). <Link to ESTC>

See also the substantially revised fourth edition: Ambrosio, or the monk: a romance. By M.G. Lewis, Esq. M.P. In three volumes. The fourth edition, with considerable additions and alterations. (London: Printed for J. Bell, 1798). <Link to ESTC>
Date of Entry
03/12/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.