"She replied with diffidence, but without restraint: she feared not to relate to him all her little sorrows, all her little fears and anxieties; and she thanked him for his goodness with all the genuine warmth which favours kindle in a young and innocent heart."

— Lewis, Matthew Gregory (1775-1818)


Work Title
Place of Publication
London
Publisher
Printed for J. Bell
Date
1796
Metaphor
"She replied with diffidence, but without restraint: she feared not to relate to him all her little sorrows, all her little fears and anxieties; and she thanked him for his goodness with all the genuine warmth which favours kindle in a young and innocent heart."
Metaphor in Context
In the anti-room he found Antonia; he could not refuse himself the pleasure of passing a few moments in her society. He bid her take comfort, for that her mother seemed composed and tranquil, and he hoped that she might yet do well. He enquired who attended her, and engaged to send the physician of his convent to see her, one of the most skilful in Madrid. He then launched out in Elvira's commendation, praised her purity and fortitude of mind, and declared that she had inspired him with the highest esteem and reverence. Antonia's innocent heart swelled with gratitude, joy danced in her eyes, where a tear still sparkled. The hopes which he gave her of her mother's recovery, the lively interest which he seemed to feel for her, and the flattering way in which she was mentioned by him, added to the report of his judgment and virtue, and to the impression made upon her by his eloquence, confirmed the favourable opinion with which his first appearance had inspired Antonia. She replied with diffidence, but without restraint: she feared not to relate to him all her little sorrows, all her little fears and anxieties; and she thanked him for his goodness with all the genuine warmth which favours kindle in a young and innocent heart. Such alone knows how to estimate benefits at their full value. They who are conscious of mankind's perfidy and selfishness, ever receive an obligation with apprehension and distrust; they suspect that some secret motive must lurk behind it; they express their thanks with restraint and caution, and fear to praise a kind action to its full extent, aware that some future day a return may be required. Not so Antonia--she thought the world was composed only of those who resembled her, and that vice existed was to her still a secret. The monk had been of service to her; he said that he wished her well; she was grateful for his kindness, and thought that no terms were strong enough to be the vehicle of her thanks. With what delight did Ambrosio listen to the declaration of her artless gratitude! The natural grace of her manners, the unequalled sweetness of her voice, her modest vivacity, her unstudied elegance, her expressive countenance and intelligent eyes united to inspire him with pleasure and admiration; while the solidity and correctness of her remarks received additional beauty from the unaffected simplicity of the language in which they were conveyed.
(II, pp. 229-31)
Categories
Provenance
ECCO-TCP
Citation
12 entries in ESTC (1795, 1796, 1797, 1798, 1799, 1800).

See The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1796). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>

Pre-published as The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1795). <Link to ESTC>

See also the substantially revised fourth edition: Ambrosio, or the monk: a romance. By M.G. Lewis, Esq. M.P. In three volumes. The fourth edition, with considerable additions and alterations. (London: Printed for J. Bell, 1798). <Link to ESTC>
Date of Entry
03/12/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.