"The pleasures which he had just tasted for the first time were still impressed upon his mind: his brain was bewildered, and presented a confused chaos of remorse, voluptuousness, inquietude, and fear."
— Lewis, Matthew Gregory (1775-1818)
Work Title
Place of Publication
London
Publisher
Printed for J. Bell
Date
1796
Metaphor
"The pleasures which he had just tasted for the first time were still impressed upon his mind: his brain was bewildered, and presented a confused chaos of remorse, voluptuousness, inquietude, and fear."
Metaphor in Context
The matins concluded, Ambrosio retired to his cell. The pleasures which he had just tasted for the first time were still impressed upon his mind: his brain was bewildered, and presented a confused chaos of remorse, voluptuousness, inquietude, and fear: he looked back with regret to that peace of soul, that security of virtue, which till then had been his portion: he had indulged in excesses whose very idea, but four-and-twenty hours before, he had recoiled at with horror: he shuddered at reflecting that a trifling indiscretion on his part, or on Ma+tilda's, would overturn that fabric of repu+tation which it had cost him thirty years to erect, and render him the abhorrence of the people of whom he was then the idol. Conscience painted to him in glaring colours his perjury, and weakness; apprehension magnified to him the honors of punishment, and he already fancied himself in the prisons of the Inquisition. To these tormenting ideas succeeded Matilda's beauty, and those delicious lessons, which once learnt can never be forgotten. A single glance thrown upon these reconciled him with himself: he considered the pleasures of the former night to have been purchased at an easy price by the sacrifice of innocence and honour. Their very remembrance filled his soul with ecstacy: he cursed his foolish vanity, which had induced him to waste in obscurity the bloom of life, ignorant of the blessings of love and woman: he determined, at all events, to continue his commerce with Matilda, and called every argument to his aid which might confirm his resolution: he asked himself, provided his irregularity was unknown, in what would his fault consist, and what consequences he had to apprehend?
(II, pp. 186-7)
(II, pp. 186-7)
Categories
Provenance
ECCO-TCP
Citation
12 entries in ESTC (1795, 1796, 1797, 1798, 1799, 1800).
See The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1796). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>
Pre-published as The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1795). <Link to ESTC>
See also the substantially revised fourth edition: Ambrosio, or the monk: a romance. By M.G. Lewis, Esq. M.P. In three volumes. The fourth edition, with considerable additions and alterations. (London: Printed for J. Bell, 1798). <Link to ESTC>
See The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1796). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>
Pre-published as The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1795). <Link to ESTC>
See also the substantially revised fourth edition: Ambrosio, or the monk: a romance. By M.G. Lewis, Esq. M.P. In three volumes. The fourth edition, with considerable additions and alterations. (London: Printed for J. Bell, 1798). <Link to ESTC>
Date of Entry
03/12/2014
