Lewis, Matthew Gregory (1775-1818)

The Monk: A Romance

London

Printed for J. Bell

1796

"Anxious to authorise the presence of his dangerous guest, yet conscious that her stay was infringing the laws of his order, Ambrosio's bosom became the theatre of a thousand contending passions."

Anxious to authorise the presence of his dangerous guest, yet conscious that her stay was infringing the laws of his order, Ambrosio's bosom became the theatre of a thousand contending passions. At length his attachment to the feigned Rosario, aided by the natural warmth of his temperament, seemed-likely to obtain the victory: the success was assured, when that presumption which formed the ground-work of his character came to Matilda's assistance. The monk reflected, that to vanquish temptation was an infinitely greater merit than to avoid it; he thought that he ought rather to rejoice in the opportunity given him of proving the firmness of his virtue. St. Anthony had withstood all seductions to lust, then why should not he? Besides, St. Anthony was tempted by the devil, who put every art into practice to excite his passions; whereas Ambrosio's danger proceeded from a mere mortal woman, fearful and modest, whose apprehensions of his yielding were not less violent than his own.
(I, pp. 146-7)

Architecture::Theater War

ECCO-TCP

12 entries in ESTC (1795, 1796, 1797, 1798, 1799, 1800).

See The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1796). <Link to ESTC><Link to Vol. I in ECCO-TCP><Vol. II><Vol. III>

Pre-published as The Monk: A Romance. In Three Volumes. (London: Printed for J. Bell, 1795). <Link to ESTC>

See also the substantially revised fourth edition: Ambrosio, or the monk: a romance. By M.G. Lewis, Esq. M.P. In three volumes. The fourth edition, with considerable additions and alterations. (London: Printed for J. Bell, 1798). <Link to ESTC>

03/11/2014