"She looked at the door, which led to the stair-case, expecting to see it open, and listening, in fearful silence, for a return of the noise, till she began to think it had proceeded from this door, and a wish of escaping through the opposite one rushed upon her mind."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Printed for G. G. and J. Robinson
Date
1794
Metaphor
"She looked at the door, which led to the stair-case, expecting to see it open, and listening, in fearful silence, for a return of the noise, till she began to think it had proceeded from this door, and a wish of escaping through the opposite one rushed upon her mind."
Metaphor in Context
In the evening, Emily had passed some melancholy hours with Madame Montoni, and was retiring to rest, when she was alarmed by a strange and loud knocking at her chamber door, and then a heavy weight fell against it, that almost burst it open. She called to know who was there, and receiving no answer, repeated the call; but a chilling silence followed. It occurred to her--for, at this moment, she could not reason on the probability of circumstances--that some one of the strangers, lately arrived at the castle, had discovered her apartment, and was come with such intent, as their looks rendered too possible--to rob, perhaps to murder, her. The moment she admitted this possibility, terror supplied the place of conviction, and a kind of instinctive remembrance of her remote situation from the family heightened it to a degree, that almost overcame her senses. She looked at the door, which led to the stair-case, expecting to see it open, and listening, in fearful silence, for a return of the noise, till she began to think it had proceeded from this door, and a wish of escaping through the opposite one rushed upon her mind. She went to the gallery door, and then, fearing to open it, lest some person might be silently lurking for her without, she stopped, but with her eyes fixed in expectation upon the opposite door of the stair-case. As thus she stood, she heard a faint breathing near her, and became convinced, that some person was on the other side of the door, which was already locked. She sought for other fastening, but there was none.
(II, pp. 282-3 in Penguin)
Categories
Provenance
Reading
Citation
9 entries in ESTC (1794, 1795, 1799, 1800).

The Mysteries of Udolpho, a Romance; Interspersed with some Pieces of Poetry. By Ann Radcliffe, Author of the Romance of the Forest, etc. 4 vols. (London: Printed for G. G. and J. Robinson, 1794). <Link to ECCO><Link to ECCO-TCP, Vol. I>

Reading The Mysteries of Udolpho, ed. Jacqueline Howard (New York: Penguin Books, 2001).
Date of Entry
03/06/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.