"I shall look, and cannot see you; shall try to recollect your features--and the impression will be fled from my imagination;--to hear the tones of your voice, and even memory will be silent!--I cannot, cannot leave you!"
— Radcliffe [née Ward], Ann (1764-1823)
Work Title
Place of Publication
London
Publisher
Printed for G. G. and J. Robinson
Date
1794
Metaphor
"I shall look, and cannot see you; shall try to recollect your features--and the impression will be fled from my imagination;--to hear the tones of your voice, and even memory will be silent!--I cannot, cannot leave you!"
Metaphor in Context
This reflection overcame Valancourt with tenderness, but, relapsing into despondency, he again felt only for himself, and lamented again this cruel separation, in a voice and words so impassioned, that Emily, could no longer struggle to repress her own grief, or to sooth his. Valancourt, between these emotions of love and pity, lost the power, and almost the wish, of repressing his agitation; and, in the intervals of convulsive sobs, he, at one moment, kissed away her tears, then told her cruelly, that possibly she might never again weep for him, and then tried to speak more calmly, but only exclaimed, "O Emily--my heart will break!--I cannot--cannot leave you! Now--I gaze upon that countenance, now I hold you in my arms! a little while, and all this will appear a dream. I shall look, and cannot see you; shall try to recollect your features--and the impression will be fled from my imagination;--to hear the tones of your voice, and even memory will be silent!--I cannot, cannot leave you! Why should we confide the happiness of our whole lives to the will of people, who have no right to interrupt, and, except in giving you to me, have no power to promote it? O Emily! venture to trust your own heart, venture to be mine forever!" His voice trembled, and he was silent; Emily continued to weep, and was silent also, when Valancourt proceeded to propose an immediate marriage, and that, at an early hour on the following morning, she should quit Madame Montoni's house, and be conducted by him to the church of the Augustines, where a friar should await to unite them.
(I, pp. 411-2; pp. 146-7 in Penguin)
(I, pp. 411-2; pp. 146-7 in Penguin)
Categories
Provenance
Reading
Citation
9 entries in ESTC (1794, 1795, 1799, 1800).
The Mysteries of Udolpho, a Romance; Interspersed with some Pieces of Poetry. By Ann Radcliffe, Author of the Romance of the Forest, etc. 4 vols. (London: Printed for G. G. and J. Robinson, 1794). <Link to ECCO><Link to ECCO-TCP, Vol. I>
Reading The Mysteries of Udolpho, ed. Jacqueline Howard (New York: Penguin Books, 2001).
The Mysteries of Udolpho, a Romance; Interspersed with some Pieces of Poetry. By Ann Radcliffe, Author of the Romance of the Forest, etc. 4 vols. (London: Printed for G. G. and J. Robinson, 1794). <Link to ECCO><Link to ECCO-TCP, Vol. I>
Reading The Mysteries of Udolpho, ed. Jacqueline Howard (New York: Penguin Books, 2001).
Date of Entry
03/06/2014
