"Emily forgot Madame Cheron and all the circumstances of her conduct, while her thoughts ascended to the contemplation, of those unnumbered worlds, that lie scattered in the depths of aether, thousands of them hid from human eyes, and almost beyond the flight of human fancy."

— Radcliffe [née Ward], Ann (1764-1823)


Place of Publication
London
Publisher
Printed for G. G. and J. Robinson
Date
1794
Metaphor
"Emily forgot Madame Cheron and all the circumstances of her conduct, while her thoughts ascended to the contemplation, of those unnumbered worlds, that lie scattered in the depths of aether, thousands of them hid from human eyes, and almost beyond the flight of human fancy."
Metaphor in Context
Having dismissed Theresa to bed, Emily wandered through every lonely apartment of the chateau, lingering long in what had been her father's bed-room, indulging melancholy, yet not unpleasing, emotions, and, having often returned, within the door to take another look at it, she withdrew to her own chamber. From her window she gazed upon the garden below, shewn faintly by the moon, rising over the tops of the palm-trees, and, at length, the calm, beauty, of the night increased a desire of indulging the mournful sweetness of bidding farewel to the beloved shades of her childhood, till she was tempted to descend. Throwing over her the light veil, in which she usually walked, she silently passed into the garden, and, hastening towards the distant groves, was glad to breathe once more the air of liberty, and to sigh unobserved. The deep repose of the scene, the rich scents, that floated on the breeze, the grandeur of the wide horizon and of the clear blue arch, soothed and gradually elevated her mind to that sublime complacency, which renders the vexations of this world so insignificant and mean in our eyes, that we wonder they have had power for a moment to disturb us. Emily forgot Madame Cheron and all the circumstances of her conduct, while her thoughts ascended to the contemplation, of those unnumbered worlds, that lie scattered in the depths of aether, thousands of them hid from human eyes, and almost beyond the flight of human fancy. As her imagination soared through the regions of space, and aspired to that Great First Cause, which pervades and governs all being, the idea of her father scarcely ever left her; but it was a pleasing idea, since she resigned him to God in the full confidence of a pure and holy faith. She pursued her way through the groves to the terrace, often pausing as memory awakened the pang of affection, and as reason anticipated the exile, into which she was going.
Categories
Citation
9 entries in ESTC (1794, 1795, 1799, 1800).

The Mysteries of Udolpho, a Romance; Interspersed with some Pieces of Poetry. By Ann Radcliffe, Author of the Romance of the Forest, etc. 4 vols. (London: Printed for G. G. and J. Robinson, 1794). <Link to ECCO><Link to ECCO-TCP, Vol. I>

Reading The Mysteries of Udolpho, ed. Jacqueline Howard (New York: Penguin Books, 2001).
Date of Entry
03/06/2014

The Mind is a Metaphor is authored by Brad Pasanek, Assistant Professor of English, University of Virginia.